On the Principles and Practice of Conducting
Nonfiction, Entertainment, Music, Instruments & Instruction, Conducting, Theory & Criticism, Music Styles, Classical & Opera, Classical
| Author: | Markand Thakar | ISBN: | 9781782049982 |
| Publisher: | Boydell & Brewer | Publication: | October 12, 2017 |
| Imprint: | University of Rochester Press | Language: | English |
| Author: | Markand Thakar |
| ISBN: | 9781782049982 |
| Publisher: | Boydell & Brewer |
| Publication: | October 12, 2017 |
| Imprint: | University of Rochester Press |
| Language: | English |
This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills. Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable. Markand Thakar is music director of the Baltimore Chamber Orchestra. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar leads annual conductor-training programs that draw students from around the world. He is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills. Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable. Markand Thakar is music director of the Baltimore Chamber Orchestra. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar leads annual conductor-training programs that draw students from around the world. He is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
