Operational Art And The 1813 Campaign In Germany

Nonfiction, History, Spain & Portugal, France, Military
Cover of the book Operational Art And The 1813 Campaign In Germany by Commander John T. Kuehn, Wagram Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Commander John T. Kuehn ISBN: 9781782893127
Publisher: Wagram Press Publication: August 15, 2014
Imprint: Wagram Press Language: English
Author: Commander John T. Kuehn
ISBN: 9781782893127
Publisher: Wagram Press
Publication: August 15, 2014
Imprint: Wagram Press
Language: English

The purpose of this monograph is to search for, identify, and discuss the emergence of elements of operational art during the Napoleonic wars. James Schneider has tied the emergence of operational art to the technological advances of the industrial revolution; specifically the rifled musket, steam locomotive, and instantaneous communications theoretically possible with telegraph. Schneider lists eight "key attributes" that are used in this monograph as elements of operational art. These elements are: a distributed operation, distributed campaign, continuous logistics, instantaneous command and control, operationally durable formations, operational vision, a distributed enemy, and distributed deployment...This monograph uses Schneider’s elements as the criteria to establish the presence or absence of operational art in the 1813 campaign in Germany.
The 1813 German campaign is examined from the viewpoint of Napoleon’s adversaries; principally the Prussians, Russians, and Austrians. This campaign was used because it represents Napoleonic warfare at a very high level of sophistication by both the Allies and their French opponents. Both sides were now organized along the French model with field armies, corps, and divisions as standard organizations. The armies that faced each other, while composed of some veteran troops, were mostly the result of massive conscription across all classes of society. All of the protagonists were essentially nations in arms. The complexity of this campaign, there were approximately seven field armies in Germany by the fall of 1813, lends itself well to a search for Schneider’s elements. The course of this campaign followed a pattern of attrition and exhaustion which, too, favors an operational analysis vice analysis along the lines of classical strategy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The purpose of this monograph is to search for, identify, and discuss the emergence of elements of operational art during the Napoleonic wars. James Schneider has tied the emergence of operational art to the technological advances of the industrial revolution; specifically the rifled musket, steam locomotive, and instantaneous communications theoretically possible with telegraph. Schneider lists eight "key attributes" that are used in this monograph as elements of operational art. These elements are: a distributed operation, distributed campaign, continuous logistics, instantaneous command and control, operationally durable formations, operational vision, a distributed enemy, and distributed deployment...This monograph uses Schneider’s elements as the criteria to establish the presence or absence of operational art in the 1813 campaign in Germany.
The 1813 German campaign is examined from the viewpoint of Napoleon’s adversaries; principally the Prussians, Russians, and Austrians. This campaign was used because it represents Napoleonic warfare at a very high level of sophistication by both the Allies and their French opponents. Both sides were now organized along the French model with field armies, corps, and divisions as standard organizations. The armies that faced each other, while composed of some veteran troops, were mostly the result of massive conscription across all classes of society. All of the protagonists were essentially nations in arms. The complexity of this campaign, there were approximately seven field armies in Germany by the fall of 1813, lends itself well to a search for Schneider’s elements. The course of this campaign followed a pattern of attrition and exhaustion which, too, favors an operational analysis vice analysis along the lines of classical strategy.

More books from Wagram Press

Cover of the book Souvenirs Militaires De La République Et De l’Empire Tome II by Commander John T. Kuehn
Cover of the book Life Of Napoleon — Vol. III. by Commander John T. Kuehn
Cover of the book Mémoires du général de Caulaincourt, duc de Vicence, grand écuyer de l’Empereur. Tome I by Commander John T. Kuehn
Cover of the book The Corsican – A Diary of Napoleon’s Life in His Own Words by Commander John T. Kuehn
Cover of the book The Memoirs of Count Rapp by Commander John T. Kuehn
Cover of the book A Cavalry Officer In The Corunna Campaign 1808-1809: by Commander John T. Kuehn
Cover of the book The Life of Nelson - Vol. I [Illustrated Edition] by Commander John T. Kuehn
Cover of the book Recollections Of The Eventful Life Of A Soldier by Commander John T. Kuehn
Cover of the book The Campaign of Waterloo – A Military History [Illustrated Edition] by Commander John T. Kuehn
Cover of the book Wellington’s Lieutenants [Illustrated Edition] by Commander John T. Kuehn
Cover of the book Memoirs of a Sergeant in the 43rd Light Infantry in the Peninsular War by Commander John T. Kuehn
Cover of the book Letters from Portugal, Spain, & France: written during the campaigns of 1812, 1813, & 1814 by Commander John T. Kuehn
Cover of the book Waterloo Lectures: A Study Of The Campaign Of 1815 [Illustrated - 4th Edition] by Commander John T. Kuehn
Cover of the book The Baton In The Knapsack: New Light On Napoleon And His Marshals by Commander John T. Kuehn
Cover of the book The First Napoleon; A Sketch, Political And Military by Commander John T. Kuehn
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy