Paul Abbott
Fiction & Literature, Literary Theory & Criticism, Women Authors, Nonfiction, Entertainment, Performing Arts, Television
| Author: | Beth Johnson | ISBN: | 9781526111661 |
| Publisher: | Manchester University Press | Publication: | May 16, 2016 |
| Imprint: | Manchester University Press | Language: | English |
| Author: | Beth Johnson |
| ISBN: | 9781526111661 |
| Publisher: | Manchester University Press |
| Publication: | May 16, 2016 |
| Imprint: | Manchester University Press |
| Language: | English |
Creator of television series such as Shameless, Clocking Off, State of Play, Reckless, Linda Green and Children’s Ward, Paul Abbott is a British 'showrunner' and writer whose name and reputation for edgy, intelligent, successful and socio-political programmes holds significant weight both in the contemporary television industry and with the public. This is the first book-length academic study of the television programmes created, written by, and/or executive-produced, by Abbott. It is also the first academic study to attempt to consider his complete oeuvre.
Within a broadly chronological structure this book elucidates, decodes and evaluates key examples of Abbott’s output, exhibiting a vital evaluation of Abbott’s work over the past three decades and assessing his contribution to British television. Engaging with thematic and ideological notions of the personal, the autobiographical, the honest, the shameless, the pleasurable and the painful recourse of the specificity of ‘ordinary life’, the volume seeks to combine close textual analysis of Abbott’s work with archival research and specially commissioned interviews with Abbott and other important industry practitioners.
Creator of television series such as Shameless, Clocking Off, State of Play, Reckless, Linda Green and Children’s Ward, Paul Abbott is a British 'showrunner' and writer whose name and reputation for edgy, intelligent, successful and socio-political programmes holds significant weight both in the contemporary television industry and with the public. This is the first book-length academic study of the television programmes created, written by, and/or executive-produced, by Abbott. It is also the first academic study to attempt to consider his complete oeuvre.
Within a broadly chronological structure this book elucidates, decodes and evaluates key examples of Abbott’s output, exhibiting a vital evaluation of Abbott’s work over the past three decades and assessing his contribution to British television. Engaging with thematic and ideological notions of the personal, the autobiographical, the honest, the shameless, the pleasurable and the painful recourse of the specificity of ‘ordinary life’, the volume seeks to combine close textual analysis of Abbott’s work with archival research and specially commissioned interviews with Abbott and other important industry practitioners.
