Performing Englishness

Identity and politics in a contemporary folk resurgence

Nonfiction, Entertainment, Music, Music Styles, Folk & Traditional, Social & Cultural Studies, Social Science, Sociology, Performing Arts
Cover of the book Performing Englishness by Trish Winter, Simon Keegan-Phipps, Manchester University Press
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Author: Trish Winter, Simon Keegan-Phipps ISBN: 9781526103550
Publisher: Manchester University Press Publication: November 1, 2015
Imprint: Manchester University Press Language: English
Author: Trish Winter, Simon Keegan-Phipps
ISBN: 9781526103550
Publisher: Manchester University Press
Publication: November 1, 2015
Imprint: Manchester University Press
Language: English

Performing Englishness looks in detail at the growth in popularity and profile of the English folk arts in the first decade of the twenty-first century. Based on original research within English folk culture, it is the only ethnographic study of its kind. By closely scrutinising various facets of this folk resurgence - discursive, musical and visual - the authors explore how it speaks to a broader explosion of interest in the subject of English national and cultural identity. How does contemporary English folk music and dance relate to ideas about England and Englishness? What kinds of English identities are expressed through the works of musicians like Seth Lakeman or Bellowhead? How does morris dancing contribute to ongoing political debates around multiculturalism, globalisation, and the devolution of the British nations? And how does the English folk scene reconcile a new-found commercial success with anti-capitalist roots? In their quest for answers to these and other questions, the authors combine the approaches of British cultural studies and ethnomusicology, drawing on ethnographic fieldwork, interviews with central figures of the resurgence and close analysis of key musical and dance texts. Their presentation of the English case contributes to debates about English identity and calls for a rethinking of concepts such as revival, indigeneity and tradition. It will be of interest to students and scholars in the field of cultural studies, ethnomusicology and related disciplines.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Performing Englishness looks in detail at the growth in popularity and profile of the English folk arts in the first decade of the twenty-first century. Based on original research within English folk culture, it is the only ethnographic study of its kind. By closely scrutinising various facets of this folk resurgence - discursive, musical and visual - the authors explore how it speaks to a broader explosion of interest in the subject of English national and cultural identity. How does contemporary English folk music and dance relate to ideas about England and Englishness? What kinds of English identities are expressed through the works of musicians like Seth Lakeman or Bellowhead? How does morris dancing contribute to ongoing political debates around multiculturalism, globalisation, and the devolution of the British nations? And how does the English folk scene reconcile a new-found commercial success with anti-capitalist roots? In their quest for answers to these and other questions, the authors combine the approaches of British cultural studies and ethnomusicology, drawing on ethnographic fieldwork, interviews with central figures of the resurgence and close analysis of key musical and dance texts. Their presentation of the English case contributes to debates about English identity and calls for a rethinking of concepts such as revival, indigeneity and tradition. It will be of interest to students and scholars in the field of cultural studies, ethnomusicology and related disciplines.

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