Peter Lorre: Face Maker

Constructing Stardom and Performance in Hollywood and Europe

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Peter Lorre: Face Maker by Sarah Thomas, Berghahn Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sarah Thomas ISBN: 9780857454423
Publisher: Berghahn Books Publication: February 1, 2012
Imprint: Berghahn Books Language: English
Author: Sarah Thomas
ISBN: 9780857454423
Publisher: Berghahn Books
Publication: February 1, 2012
Imprint: Berghahn Books
Language: English

Peter Lorre described himself as merely a ‘face maker’. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang’s M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre’s screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre’s career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Peter Lorre described himself as merely a ‘face maker’. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang’s M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre’s screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre’s career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.

More books from Berghahn Books

Cover of the book Cutting and Connecting by Sarah Thomas
Cover of the book Ethics in the Field by Sarah Thomas
Cover of the book Nazi Paris by Sarah Thomas
Cover of the book Moral Anthropology by Sarah Thomas
Cover of the book Multicultural Dialogue by Sarah Thomas
Cover of the book The Politics of Education Reform in the Middle East by Sarah Thomas
Cover of the book Liquid Bread by Sarah Thomas
Cover of the book Sugarlandia Revisited by Sarah Thomas
Cover of the book A Walk to the River in Amazonia by Sarah Thomas
Cover of the book Jerzy Skolimowski by Sarah Thomas
Cover of the book Transcultural Montage by Sarah Thomas
Cover of the book Expeditionary Anthropology by Sarah Thomas
Cover of the book The Devil's Wheels by Sarah Thomas
Cover of the book Wilhelminism and Its Legacies by Sarah Thomas
Cover of the book Framing Africa by Sarah Thomas
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy