Plowshares

Protest, Performance, and Religious Identity in the Nuclear Age

Nonfiction, Social & Cultural Studies, Social Science, Sociology, Marriage & Family, Religion & Spirituality, Christianity, Denominations, Catholic, Catholicism, History, Americas, United States, 20th Century
Cover of the book Plowshares by Kristen Tobey, Penn State University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kristen Tobey ISBN: 9780271078281
Publisher: Penn State University Press Publication: August 18, 2016
Imprint: Penn State University Press Language: English
Author: Kristen Tobey
ISBN: 9780271078281
Publisher: Penn State University Press
Publication: August 18, 2016
Imprint: Penn State University Press
Language: English

In September 1980, eight Catholic activists made their way into a Pennsylvania General Electric plant housing parts for nuclear missiles. Evading security guards, these activists pounded on missile nose cones with hammers and then covered the cones in their own blood. This act of nonviolent resistance was their answer to calls for prophetic witness in the Old Testament: “They shall beat their swords into plowshares, and their spears into pruning hooks. Nation shall not take up sword against nation; they shall never again know war.”

Plowshares explores the closely interwoven religious and social significance of the group’s use of performance to achieve its goals. It looks at the group’s acts of civil disobedience, such as that undertaken at the GE plant in 1980, and the Plowshares’ behavior at the legal trials that result from these protests. Interpreting the Bible as a mandate to enact God’s kingdom through political resistance, the Plowshares work toward “symbolic disarmament,” with the aim of eradicating nuclear weapons.

Plowshares activists continue to carry out such “divine obediences” against facilities where equipment used in the production or deployment of nuclear weapons is manufactured or stored. Whether one agrees or disagrees with their actions, this volume helps us better understand their motivations, logic, identity, and ultimate goal.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In September 1980, eight Catholic activists made their way into a Pennsylvania General Electric plant housing parts for nuclear missiles. Evading security guards, these activists pounded on missile nose cones with hammers and then covered the cones in their own blood. This act of nonviolent resistance was their answer to calls for prophetic witness in the Old Testament: “They shall beat their swords into plowshares, and their spears into pruning hooks. Nation shall not take up sword against nation; they shall never again know war.”

Plowshares explores the closely interwoven religious and social significance of the group’s use of performance to achieve its goals. It looks at the group’s acts of civil disobedience, such as that undertaken at the GE plant in 1980, and the Plowshares’ behavior at the legal trials that result from these protests. Interpreting the Bible as a mandate to enact God’s kingdom through political resistance, the Plowshares work toward “symbolic disarmament,” with the aim of eradicating nuclear weapons.

Plowshares activists continue to carry out such “divine obediences” against facilities where equipment used in the production or deployment of nuclear weapons is manufactured or stored. Whether one agrees or disagrees with their actions, this volume helps us better understand their motivations, logic, identity, and ultimate goal.

More books from Penn State University Press

Cover of the book Forbidden Rites by Kristen Tobey
Cover of the book Status, Power, and Identity in Early Modern France by Kristen Tobey
Cover of the book Oppression and Responsibility by Kristen Tobey
Cover of the book John Dewey and the Artful Life by Kristen Tobey
Cover of the book The Origins of Federal Support for Higher Education by Kristen Tobey
Cover of the book London Art Worlds by Kristen Tobey
Cover of the book The Complete Plays of Jean Racine by Kristen Tobey
Cover of the book Without God by Kristen Tobey
Cover of the book Anthropocene Reading by Kristen Tobey
Cover of the book Sign of Pathology by Kristen Tobey
Cover of the book Divining the Self by Kristen Tobey
Cover of the book Manekine, John and Blonde, and “Foolish Generosity” by Kristen Tobey
Cover of the book An Empire of Print by Kristen Tobey
Cover of the book Vulnerability and Human Rights by Kristen Tobey
Cover of the book Man or Citizen by Kristen Tobey
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy