Poetry and Performance During the British Poetry Revival 1960–1980

Event and Effect

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, British
Cover of the book Poetry and Performance During the British Poetry Revival 1960–1980 by Juha Virtanen, Springer International Publishing
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Author: Juha Virtanen ISBN: 9783319582115
Publisher: Springer International Publishing Publication: August 23, 2017
Imprint: Palgrave Macmillan Language: English
Author: Juha Virtanen
ISBN: 9783319582115
Publisher: Springer International Publishing
Publication: August 23, 2017
Imprint: Palgrave Macmillan
Language: English

This book examines intersections of poetry and performance during the British Poetry Revival. Its investigations are centered on four specific performance events: The First International Poetry Incarnation at the Royal Albert Hall in 1965; Denise Riley’s first public reading at the Cambridge Poetry Festival in 1977; Eric Mottram’s Pollock Record; and Allen Fisher’s Blood Bone Brain. Drawing upon a range of archival resources, recordings, and interviews, Juha Virtanen offers engaging and detailed “archaeological” accounts and analyses of these largely unexamined events as well as the potential dialogues between them. The appendices of the book also feature previously unpublished interviews with both Fisher and Riley. 

This book is essential reading for poetry and performance enthusiasts, particularly those interested in innovative British Poetry. 

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This book examines intersections of poetry and performance during the British Poetry Revival. Its investigations are centered on four specific performance events: The First International Poetry Incarnation at the Royal Albert Hall in 1965; Denise Riley’s first public reading at the Cambridge Poetry Festival in 1977; Eric Mottram’s Pollock Record; and Allen Fisher’s Blood Bone Brain. Drawing upon a range of archival resources, recordings, and interviews, Juha Virtanen offers engaging and detailed “archaeological” accounts and analyses of these largely unexamined events as well as the potential dialogues between them. The appendices of the book also feature previously unpublished interviews with both Fisher and Riley. 

This book is essential reading for poetry and performance enthusiasts, particularly those interested in innovative British Poetry. 

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