Political Beethoven

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book Political Beethoven by Nicholas Mathew, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nicholas Mathew ISBN: 9781139610056
Publisher: Cambridge University Press Publication: December 20, 2012
Imprint: Cambridge University Press Language: English
Author: Nicholas Mathew
ISBN: 9781139610056
Publisher: Cambridge University Press
Publication: December 20, 2012
Imprint: Cambridge University Press
Language: English

Musicians, music lovers and music critics have typically considered Beethoven's overtly political music as an aberration; at best, it is merely notorious, at worst, it is denigrated and ignored. In Political Beethoven, Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career - from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna - to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological and psycho-social mechanisms that gave Beethoven's music such a powerful voice - a voice susceptible to repeated political appropriation, even to the present day.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Musicians, music lovers and music critics have typically considered Beethoven's overtly political music as an aberration; at best, it is merely notorious, at worst, it is denigrated and ignored. In Political Beethoven, Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career - from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna - to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological and psycho-social mechanisms that gave Beethoven's music such a powerful voice - a voice susceptible to repeated political appropriation, even to the present day.

More books from Cambridge University Press

Cover of the book My Opposition by Nicholas Mathew
Cover of the book Additive Combinatorics by Nicholas Mathew
Cover of the book Colonizing Consent by Nicholas Mathew
Cover of the book Law and Self-Knowledge in the Talmud by Nicholas Mathew
Cover of the book Taking Economic, Social and Cultural Rights Seriously in International Criminal Law by Nicholas Mathew
Cover of the book Colloquial English by Nicholas Mathew
Cover of the book Extremes by Nicholas Mathew
Cover of the book Believing in Shakespeare by Nicholas Mathew
Cover of the book Principles of Snow Hydrology by Nicholas Mathew
Cover of the book Representation in Congress by Nicholas Mathew
Cover of the book A Handbook of Primary Commodities in the Global Economy by Nicholas Mathew
Cover of the book Pushing the Agenda by Nicholas Mathew
Cover of the book Law and Order in Ancient Athens by Nicholas Mathew
Cover of the book Networks of Nations by Nicholas Mathew
Cover of the book The Cambridge Companion to Renaissance Philosophy by Nicholas Mathew
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy