Politics and Aesthetics of the Female Form, 1908-1918

Nonfiction, History, British, Social & Cultural Studies, Social Science, Gender Studies
Cover of the book Politics and Aesthetics of the Female Form, 1908-1918 by Georgina Williams, Springer International Publishing
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Author: Georgina Williams ISBN: 9783319757292
Publisher: Springer International Publishing Publication: April 11, 2018
Imprint: Palgrave Macmillan Language: English
Author: Georgina Williams
ISBN: 9783319757292
Publisher: Springer International Publishing
Publication: April 11, 2018
Imprint: Palgrave Macmillan
Language: English

This book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth’s 'line of beauty' are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women’s roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.

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This book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth’s 'line of beauty' are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women’s roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.

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