Popular Music and Cultural Policy

Nonfiction, Social & Cultural Studies, Social Science
Cover of the book Popular Music and Cultural Policy by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781317659525
Publisher: Taylor and Francis Publication: October 2, 2017
Imprint: Routledge Language: English
Author:
ISBN: 9781317659525
Publisher: Taylor and Francis
Publication: October 2, 2017
Imprint: Routledge
Language: English

Popular music is increasingly visible in government strategies and policies. While much has been written about the expanding flow of music products and music creativity in emphasising the global nature of popular music, little attention has been paid to the flow of ideas about policy formation and debates between regions and nations. This book examines specific regional and national histories, and the different cultural values placed on popular music. The state emerges as a key site of tension between high and low culture, music as art versus music as commerce, public versus private interests, the right to make noisy art versus the right to a good night’s sleep. The political economy of urban popular music is a strong focus, examining attempts to combine and complement arts and cultural policies with ‘creative city’ and ‘creative industries’ strategies. The Anglophone case studies of policy contexts within in Canada, Britain, the US and Australia reveal how the everyday influence and use of popular music is also about questions of aesthetics, funding and power.

This book was originally published as a special issue of The International Journal of Cultural Policy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Popular music is increasingly visible in government strategies and policies. While much has been written about the expanding flow of music products and music creativity in emphasising the global nature of popular music, little attention has been paid to the flow of ideas about policy formation and debates between regions and nations. This book examines specific regional and national histories, and the different cultural values placed on popular music. The state emerges as a key site of tension between high and low culture, music as art versus music as commerce, public versus private interests, the right to make noisy art versus the right to a good night’s sleep. The political economy of urban popular music is a strong focus, examining attempts to combine and complement arts and cultural policies with ‘creative city’ and ‘creative industries’ strategies. The Anglophone case studies of policy contexts within in Canada, Britain, the US and Australia reveal how the everyday influence and use of popular music is also about questions of aesthetics, funding and power.

This book was originally published as a special issue of The International Journal of Cultural Policy.

More books from Taylor and Francis

Cover of the book Body Shame by
Cover of the book Theoretical Exploratns In Africa by
Cover of the book Community, Home, and Identity by
Cover of the book Mongolian-English Dictionary by
Cover of the book Rule-following and Meaning by
Cover of the book Postfeminism and Organization by
Cover of the book Children's Thinking About Cultural Universals by
Cover of the book Interaction, Communication and Development by
Cover of the book Formulation and Treatment in Clinical Health Psychology by
Cover of the book Developing and Implementing a Whole-School Behavior Policy by
Cover of the book AIDS and Intravenous Drug Use by
Cover of the book Interpretive Voices by
Cover of the book 20th Century Britain by
Cover of the book Conversations on Human Nature by
Cover of the book Japan - Restless Competitor by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy