Popular Music Scenes and Cultural Memory

Nonfiction, History, Reference, Historiography, Entertainment, Music, Social & Cultural Studies, Social Science
Cover of the book Popular Music Scenes and Cultural Memory by Andy Bennett, Ian Rogers, Palgrave Macmillan UK
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Author: Andy Bennett, Ian Rogers ISBN: 9781137402042
Publisher: Palgrave Macmillan UK Publication: November 23, 2016
Imprint: Palgrave Macmillan Language: English
Author: Andy Bennett, Ian Rogers
ISBN: 9781137402042
Publisher: Palgrave Macmillan UK
Publication: November 23, 2016
Imprint: Palgrave Macmillan
Language: English

This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. 

In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally. 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. 

In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally. 

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