Post-Mandarin

Masculinity and Aesthetic Modernity in Colonial Vietnam

Nonfiction, History, Asian, Southeast Asia, Social & Cultural Studies, Social Science, Gender Studies, Fiction & Literature, Literary Theory & Criticism
Cover of the book Post-Mandarin by Ben Tran, Fordham University Press
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Author: Ben Tran ISBN: 9780823273157
Publisher: Fordham University Press Publication: January 2, 2017
Imprint: Modern Language Initiative Language: English
Author: Ben Tran
ISBN: 9780823273157
Publisher: Fordham University Press
Publication: January 2, 2017
Imprint: Modern Language Initiative
Language: English

Post-Mandarin offers an engaging look at a cohort of Vietnamese intellectuals who adopted European fields of knowledge, a new Romanized alphabet, and print media—all of which were foreign and illegible to their fathers. This new generation of intellectuals established Vietnam’s modern anticolonial literature.

The term “post-mandarin” illuminates how Vietnam’s deracinated figures of intellectual authority adapted to a literary field moving away from a male-to-male literary address toward print culture. With this shift, post-mandarin intellectuals increasingly wrote for and about women.

Post-Mandarin illustrates the significance of the inclusion of modern women in the world of letters: a more democratic system of aesthetic and political representation that gave rise to anticolonial nationalism. This conceptualization of the “post-mandarin” promises to have a significant impact on the fields of literary theory, postcolonial studies, East Asian and Southeast Asian studies, and modernist studies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Post-Mandarin offers an engaging look at a cohort of Vietnamese intellectuals who adopted European fields of knowledge, a new Romanized alphabet, and print media—all of which were foreign and illegible to their fathers. This new generation of intellectuals established Vietnam’s modern anticolonial literature.

The term “post-mandarin” illuminates how Vietnam’s deracinated figures of intellectual authority adapted to a literary field moving away from a male-to-male literary address toward print culture. With this shift, post-mandarin intellectuals increasingly wrote for and about women.

Post-Mandarin illustrates the significance of the inclusion of modern women in the world of letters: a more democratic system of aesthetic and political representation that gave rise to anticolonial nationalism. This conceptualization of the “post-mandarin” promises to have a significant impact on the fields of literary theory, postcolonial studies, East Asian and Southeast Asian studies, and modernist studies.

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