Post-Punk Then and Now

Nonfiction, Entertainment, Music, Pop & Rock, Punk, Theory & Criticism, History & Criticism, Reference
Cover of the book Post-Punk Then and Now by Sue Clayton, Kodwo Eshun, Green Gartside, Watkins Media
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Author: Sue Clayton, Kodwo Eshun, Green Gartside ISBN: 9781910924273
Publisher: Watkins Media Publication: September 13, 2016
Imprint: Repeater Language: English
Author: Sue Clayton, Kodwo Eshun, Green Gartside
ISBN: 9781910924273
Publisher: Watkins Media
Publication: September 13, 2016
Imprint: Repeater
Language: English

What were the conditions of possibility for art and music-making before the era of neoliberal capitalism? What role did punk play in turning artists to experiment with popular music in the late 1970s and early 1980s? And why does the art and music of these times seem so newly pertinent to our political present, despite the seeming remoteness of its historical moment? Focusing upon the production of post-punk art, film, music, and publishing, this book offers new perspectives on an overlooked period of cultural activity, and probes the lessons that might be learnt from history for artists and musicians working under 21st century conditions of austerity.

Contemporary reflections by those who shaped avant-garde and contestatory culture in the UK, US, Brazil and Poland in the 1970s and 1980s. Alongside these are contributions by contemporary artists, curators and scholars that provide critical perspectives on post-punk then, and its generative relation to the aesthetics and politics of cultural production today.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What were the conditions of possibility for art and music-making before the era of neoliberal capitalism? What role did punk play in turning artists to experiment with popular music in the late 1970s and early 1980s? And why does the art and music of these times seem so newly pertinent to our political present, despite the seeming remoteness of its historical moment? Focusing upon the production of post-punk art, film, music, and publishing, this book offers new perspectives on an overlooked period of cultural activity, and probes the lessons that might be learnt from history for artists and musicians working under 21st century conditions of austerity.

Contemporary reflections by those who shaped avant-garde and contestatory culture in the UK, US, Brazil and Poland in the 1970s and 1980s. Alongside these are contributions by contemporary artists, curators and scholars that provide critical perspectives on post-punk then, and its generative relation to the aesthetics and politics of cultural production today.

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