Print, Publicity, and Popular Radicalism in the 1790s

The Laurel of Liberty

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, History
Cover of the book Print, Publicity, and Popular Radicalism in the 1790s by Jon Mee, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jon Mee ISBN: 9781316594353
Publisher: Cambridge University Press Publication: May 26, 2016
Imprint: Cambridge University Press Language: English
Author: Jon Mee
ISBN: 9781316594353
Publisher: Cambridge University Press
Publication: May 26, 2016
Imprint: Cambridge University Press
Language: English

Jon Mee explores the popular democratic movement that emerged in the London of the 1790s in response to the French Revolution. Central to the movement's achievement was the creation of an idea of 'the people' brought into being through print and publicity. Radical clubs rose and fell in the face of the hostile attentions of government. They were sustained by a faith in the press as a form of 'print magic', but confidence in the liberating potential of the printing press was interwoven with hard-headed deliberations over how best to animate and represent the people. Ideas of disinterested rational debate were thrown into the mix with coruscating satire, rousing songs, and republican toasts. Print personality became a vital interface between readers and print exploited by the cast of radicals returned to history in vivid detail by Print, Publicity, and Popular Radicalism in the 1790s. This title is also available as Open Access.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Jon Mee explores the popular democratic movement that emerged in the London of the 1790s in response to the French Revolution. Central to the movement's achievement was the creation of an idea of 'the people' brought into being through print and publicity. Radical clubs rose and fell in the face of the hostile attentions of government. They were sustained by a faith in the press as a form of 'print magic', but confidence in the liberating potential of the printing press was interwoven with hard-headed deliberations over how best to animate and represent the people. Ideas of disinterested rational debate were thrown into the mix with coruscating satire, rousing songs, and republican toasts. Print personality became a vital interface between readers and print exploited by the cast of radicals returned to history in vivid detail by Print, Publicity, and Popular Radicalism in the 1790s. This title is also available as Open Access.

More books from Cambridge University Press

Cover of the book Adam Smith's Wealth of Nations by Jon Mee
Cover of the book Narrative and Identity in the Ancient Greek Novel by Jon Mee
Cover of the book The Freud Files by Jon Mee
Cover of the book The Cambridge Companion to Medieval English Literature 1100–1500 by Jon Mee
Cover of the book Theories of Race and Ethnicity by Jon Mee
Cover of the book A Surgeon's Guide to Anaesthesia and Peri-operative Care by Jon Mee
Cover of the book Primary Mathematics by Jon Mee
Cover of the book Affective Communities in World Politics by Jon Mee
Cover of the book In Defense of Uncle Tom by Jon Mee
Cover of the book NMR Studies of Translational Motion by Jon Mee
Cover of the book Tropical Ecosystems and Ecological Concepts by Jon Mee
Cover of the book The Cambridge Companion to Miracles by Jon Mee
Cover of the book The Politics of Major Policy Reform in Postwar America by Jon Mee
Cover of the book Social Organizations and the Authoritarian State in China by Jon Mee
Cover of the book Musical Creativity in Restoration England by Jon Mee
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy