Private Fire

Robert Francis's Ecopoetry and Prose

Nonfiction, Science & Nature, Science, Biological Sciences, Ecology, Religion & Spirituality, New Age, Personal Transformation, Nature
Cover of the book Private Fire by Matthew James Babcock, University of Delaware Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Matthew James Babcock ISBN: 9781611490237
Publisher: University of Delaware Press Publication: April 18, 2011
Imprint: University of Delaware Press Language: English
Author: Matthew James Babcock
ISBN: 9781611490237
Publisher: University of Delaware Press
Publication: April 18, 2011
Imprint: University of Delaware Press
Language: English

Matthew J. Babcock's Private Fire: Robert Francis's Ecopoetry and Prose is an examination of the life and work of one of America's most intriguing but tragically obscure writers. Babcock uses his own personal relationship Robert Francis's work, which emphasizes conservation and connectedness to our natural surroundings, to illuminate both overtones and nuances that are undoubtedly useful to those interested in poetry and ecology. Babcock begins with a brief biographical section intended to set the tone for readers previously unfamiliar with Robert Francis and then continues into an analysis of the influence of Emily Dickinson and Robert Frost on Francis's work. Starting in Chapter Three, Private Fire shifts into the realm of literary analysis and discusses various angles of Francis's work, from representations of gender and sexual identity; prose contributions, both fiction and non-fiction; religion and politics; to themes of conservation, place-making, experimental poetic styles, and asceticism, finishing with a discussion of Francis's only long narrative poem, 'Valhalla.' This poem joins other prophetic works in musing upon environmental apocalypticism. Matthew J. Babcock finishes this detailed and thoughtful volume with concluding meditations that situate Robert Francis with his contemporaries, helping readers to locate him historically and contextually amongst other 20th century writers. By using biography and literary theory as the lens through which one interprets Francis's work, Private Fire: Robert Francis's Ecopoetry and Prose successfully navigates the literary and cultural environment surrounding a poet who himself was so connected with the world around him.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Matthew J. Babcock's Private Fire: Robert Francis's Ecopoetry and Prose is an examination of the life and work of one of America's most intriguing but tragically obscure writers. Babcock uses his own personal relationship Robert Francis's work, which emphasizes conservation and connectedness to our natural surroundings, to illuminate both overtones and nuances that are undoubtedly useful to those interested in poetry and ecology. Babcock begins with a brief biographical section intended to set the tone for readers previously unfamiliar with Robert Francis and then continues into an analysis of the influence of Emily Dickinson and Robert Frost on Francis's work. Starting in Chapter Three, Private Fire shifts into the realm of literary analysis and discusses various angles of Francis's work, from representations of gender and sexual identity; prose contributions, both fiction and non-fiction; religion and politics; to themes of conservation, place-making, experimental poetic styles, and asceticism, finishing with a discussion of Francis's only long narrative poem, 'Valhalla.' This poem joins other prophetic works in musing upon environmental apocalypticism. Matthew J. Babcock finishes this detailed and thoughtful volume with concluding meditations that situate Robert Francis with his contemporaries, helping readers to locate him historically and contextually amongst other 20th century writers. By using biography and literary theory as the lens through which one interprets Francis's work, Private Fire: Robert Francis's Ecopoetry and Prose successfully navigates the literary and cultural environment surrounding a poet who himself was so connected with the world around him.

More books from University of Delaware Press

Cover of the book Edgar Allan Poe by Matthew James Babcock
Cover of the book Nature, Politics, and the Arts by Matthew James Babcock
Cover of the book The Royal Financial Administration and the Prosecution of Crime in France, 1670–1789 by Matthew James Babcock
Cover of the book Swiftly Sterneward by Matthew James Babcock
Cover of the book Biblical References in Shakespeare's Plays by Matthew James Babcock
Cover of the book George Moore by Matthew James Babcock
Cover of the book Pynchon's Against the Day by Matthew James Babcock
Cover of the book The Leslie A. Marchand Memorial Lectures, 2000–2015 by Matthew James Babcock
Cover of the book Inspiration in the Age of Enlightenment by Matthew James Babcock
Cover of the book Later Middle English Literature, Materiality, and Culture by Matthew James Babcock
Cover of the book A Delaware Album, 1900-1930 by Matthew James Babcock
Cover of the book Sustainability & Historic Preservation by Matthew James Babcock
Cover of the book Carnal Reading by Matthew James Babcock
Cover of the book Reading Apollinaire's Alcools by Matthew James Babcock
Cover of the book Narrative Faith by Matthew James Babcock
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy