Public Ethnomusicology, Education, Archives, & Commerce

An Oxford Handbook of Applied Ethnomusicology, Volume 3

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, International
Cover of the book Public Ethnomusicology, Education, Archives, & Commerce by , Oxford University Press
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Author: ISBN: 9780190885793
Publisher: Oxford University Press Publication: February 20, 2019
Imprint: Oxford University Press Language: English
Author:
ISBN: 9780190885793
Publisher: Oxford University Press
Publication: February 20, 2019
Imprint: Oxford University Press
Language: English

The seven ethnomusicologists who contributed to this volume discuss the role and impact of applied ethnomusicology in a variety of public and private sectors, including the commercial music industry, archives and collections, public folklore programs, and music education programs at public schools. Public Ethnomusicology, Education, Archives, and Commerce is the third of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. The Handbook can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.

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The seven ethnomusicologists who contributed to this volume discuss the role and impact of applied ethnomusicology in a variety of public and private sectors, including the commercial music industry, archives and collections, public folklore programs, and music education programs at public schools. Public Ethnomusicology, Education, Archives, and Commerce is the third of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. The Handbook can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.

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