Publishing the Science Fiction Canon

The Case of Scientific Romance

Nonfiction, Reference & Language, Language Arts, Writing & Publishing, Publishing, Fiction & Literature, Literary Theory & Criticism
Cover of the book Publishing the Science Fiction Canon by Adam Roberts, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Adam Roberts ISBN: 9781108571593
Publisher: Cambridge University Press Publication: September 30, 2018
Imprint: Cambridge University Press Language: English
Author: Adam Roberts
ISBN: 9781108571593
Publisher: Cambridge University Press
Publication: September 30, 2018
Imprint: Cambridge University Press
Language: English

Science fiction was being written throughout the seventeenth and eighteenth centuries, but it underwent a rapid expansion of cultural dissemination and popularity at the end of the nineteenth and beginning of the twentieth century. This Element explores the ways this explosion in interest in 'scientific romance', that informs today's global science fiction culture, manifests the specific historical exigences of the revolutions in publishing and distribution technology. H. G. Wells, Jules Verne and other science fiction writers embody in their art the advances in material culture that mobilize, reproduce and distribute with new rapidity, determining the cultural logic of twentieth-century science fiction in the process.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Science fiction was being written throughout the seventeenth and eighteenth centuries, but it underwent a rapid expansion of cultural dissemination and popularity at the end of the nineteenth and beginning of the twentieth century. This Element explores the ways this explosion in interest in 'scientific romance', that informs today's global science fiction culture, manifests the specific historical exigences of the revolutions in publishing and distribution technology. H. G. Wells, Jules Verne and other science fiction writers embody in their art the advances in material culture that mobilize, reproduce and distribute with new rapidity, determining the cultural logic of twentieth-century science fiction in the process.

More books from Cambridge University Press

Cover of the book Nepal in Transition by Adam Roberts
Cover of the book Games in Economic Development by Adam Roberts
Cover of the book States, Parties, and Social Movements by Adam Roberts
Cover of the book The Cambridge Companion to Irish Modernism by Adam Roberts
Cover of the book Rousseau's Social Contract by Adam Roberts
Cover of the book The Power of Deterrence by Adam Roberts
Cover of the book The Hesiodic Catalogue of Women and Archaic Greece by Adam Roberts
Cover of the book The Gacaca Courts, Post-Genocide Justice and Reconciliation in Rwanda by Adam Roberts
Cover of the book Clowning and Authorship in Early Modern Theatre by Adam Roberts
Cover of the book Data-Driven Science and Engineering by Adam Roberts
Cover of the book British Writers and MI5 Surveillance, 1930–1960 by Adam Roberts
Cover of the book Chinese by Adam Roberts
Cover of the book Electronic Health Records and Medical Big Data by Adam Roberts
Cover of the book Unveiling the North Korean Economy by Adam Roberts
Cover of the book Modal Logic for Philosophers by Adam Roberts
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy