Quadrophenia

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Quadrophenia by Stephen Glynn, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stephen Glynn ISBN: 9780231850551
Publisher: Columbia University Press Publication: February 18, 2014
Imprint: WallFlower Press Language: English
Author: Stephen Glynn
ISBN: 9780231850551
Publisher: Columbia University Press
Publication: February 18, 2014
Imprint: WallFlower Press
Language: English

1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cult status is immediate. 2013: almost fifty years on from Brighton, this first academic study explores the lasting appeal of 'England's Rebel Without a Cause'. Investigating academic, music, press, and fan-based responses, Glynn argues that the 'Modyssey' enacted in Quadrophenia intrigues because it opens a hermetic subculture to its social-realist context; it enriches because it is a cult film that dares to explore the dangers in being part of a cult; it endures because of its 'emotional honesty', showing Jimmy as failing, with family, job, girl, and group; it excites because we all know that, at some point in our lives, 'I was there!'

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cult status is immediate. 2013: almost fifty years on from Brighton, this first academic study explores the lasting appeal of 'England's Rebel Without a Cause'. Investigating academic, music, press, and fan-based responses, Glynn argues that the 'Modyssey' enacted in Quadrophenia intrigues because it opens a hermetic subculture to its social-realist context; it enriches because it is a cult film that dares to explore the dangers in being part of a cult; it endures because of its 'emotional honesty', showing Jimmy as failing, with family, job, girl, and group; it excites because we all know that, at some point in our lives, 'I was there!'

More books from Columbia University Press

Cover of the book The Naqab Bedouins by Stephen Glynn
Cover of the book Kuhn's Legacy by Stephen Glynn
Cover of the book The Story of the Dinosaurs in 25 Discoveries by Stephen Glynn
Cover of the book At Home in the World by Stephen Glynn
Cover of the book Political Liberalism by Stephen Glynn
Cover of the book Dinosaurs by Stephen Glynn
Cover of the book Harmattan by Stephen Glynn
Cover of the book Development Cooperation in Times of Crisis by Stephen Glynn
Cover of the book Social Work Values and Ethics by Stephen Glynn
Cover of the book Biological Weapons by Stephen Glynn
Cover of the book Socialist Cosmopolitanism by Stephen Glynn
Cover of the book India's Israel Policy by Stephen Glynn
Cover of the book The Columbia Guide to American Environmental History by Stephen Glynn
Cover of the book Rushed to Judgment by Stephen Glynn
Cover of the book The Road Movie by Stephen Glynn
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy