| Author: | Cindy A. Carl | ISBN: | 9781476478746 |
| Publisher: | Cindy A. Carl | Publication: | July 9, 2012 |
| Imprint: | Smashwords Edition | Language: | English |
| Author: | Cindy A. Carl |
| ISBN: | 9781476478746 |
| Publisher: | Cindy A. Carl |
| Publication: | July 9, 2012 |
| Imprint: | Smashwords Edition |
| Language: | English |
In a quaint village in Mexico, Dani, a struggling, endearing, and somewhat klutzy artist, sets out in pursuit of her dream. Little did she know that the pursuit would become the dream. One night a Shadow Man appears and sends her on a quest: she must find a mysterious woman, and it can only be done through a series of ten paintings. Each painting is prefaced by bizarre situations; including a hurricane, a yellow-out storm, and an excursion into a curio shop with no doors. Three uncooperative guides: a translucent figure, a troll, and a typist who lives in a tree, hold the key. . .but to what?
Sylvia, Dani’s best friend, Ivan, a carpenter obsessed with mesquite tables, and Chuy, an Argentinian Fire Dancer, are Dani’s only link to the ‘real’ world. But eventually even they can’t help as she finds herself sinking further and further into the depths. . .
In a quaint village in Mexico, Dani, a struggling, endearing, and somewhat klutzy artist, sets out in pursuit of her dream. Little did she know that the pursuit would become the dream. One night a Shadow Man appears and sends her on a quest: she must find a mysterious woman, and it can only be done through a series of ten paintings. Each painting is prefaced by bizarre situations; including a hurricane, a yellow-out storm, and an excursion into a curio shop with no doors. Three uncooperative guides: a translucent figure, a troll, and a typist who lives in a tree, hold the key. . .but to what?
Sylvia, Dani’s best friend, Ivan, a carpenter obsessed with mesquite tables, and Chuy, an Argentinian Fire Dancer, are Dani’s only link to the ‘real’ world. But eventually even they can’t help as she finds herself sinking further and further into the depths. . .
