Author: | College Guide World | ISBN: | 9781311006400 |
Publisher: | Raja Sharma | Publication: | December 27, 2013 |
Imprint: | Smashwords Edition | Language: | English |
Author: | College Guide World |
ISBN: | 9781311006400 |
Publisher: | Raja Sharma |
Publication: | December 27, 2013 |
Imprint: | Smashwords Edition |
Language: | English |
“Woman In Mind” by Alan Ayckbourn is definitely one of the best plays written by him. It was his 32nd play.
It is uniquely original play that deals with a subject matter that is not very common. The play has two settings: a real world and an imaginary world.
The play revolves around the central character Susan who lives in two worlds: her real world with her husband and her son, and her world of fantasy in which she lives with her imaginary husband and a daughter.
Susan’s character continues to impress the audiences till the very last scene. The play deals with the themes which are highly relevant to the modern world and people living in this world.
Quick Guide: Woman In Mind
Copyright
Chapter One: Introduction
Chapter Two: Background
Chapter Three: Characters
Chapter Four: Setting
Chapter Five: Summary of the Play
Act One
Act Two
Chapter Six: Critical Response
“Woman In Mind” by Alan Ayckbourn is definitely one of the best plays written by him. It was his 32nd play.
It is uniquely original play that deals with a subject matter that is not very common. The play has two settings: a real world and an imaginary world.
The play revolves around the central character Susan who lives in two worlds: her real world with her husband and her son, and her world of fantasy in which she lives with her imaginary husband and a daughter.
Susan’s character continues to impress the audiences till the very last scene. The play deals with the themes which are highly relevant to the modern world and people living in this world.
Quick Guide: Woman In Mind
Copyright
Chapter One: Introduction
Chapter Two: Background
Chapter Three: Characters
Chapter Four: Setting
Chapter Five: Summary of the Play
Act One
Act Two
Chapter Six: Critical Response