Race and the Revolutionary Impulse in The Spook Who Sat by the Door

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Art & Architecture, General Art, Art Technique
Cover of the book Race and the Revolutionary Impulse in The Spook Who Sat by the Door by , Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780253031808
Publisher: Indiana University Press Publication: January 1, 2018
Imprint: Indiana University Press Language: English
Author:
ISBN: 9780253031808
Publisher: Indiana University Press
Publication: January 1, 2018
Imprint: Indiana University Press
Language: English

Ivan Dixon’s 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee’s novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists’ press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Ivan Dixon’s 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee’s novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists’ press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

More books from Indiana University Press

Cover of the book New Perspectives on Horned Dinosaurs by
Cover of the book Feeling Normal by
Cover of the book The Crazy, Wonderful Things Kids Say by
Cover of the book An Archipelago of Care by
Cover of the book Life and Death in Kolofata by
Cover of the book New Media and Religious Transformations in Africa by
Cover of the book Paul Tillich and Pentecostal Theology by
Cover of the book Reading Eco by
Cover of the book Remembering, Second Edition by
Cover of the book Today I Am a Woman by
Cover of the book Volatile State by
Cover of the book Bodily Natures by
Cover of the book Horror in the Heartland by
Cover of the book Breaking Time's Arrow by
Cover of the book Allusion as Narrative Premise in Brahms’s Instrumental Music by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy