Raphael and the Redefinition of Art in Renaissance Italy

Nonfiction, Art & Architecture, General Art, Biography & Memoir, History
Cover of the book Raphael and the Redefinition of Art in Renaissance Italy by Robert Williams, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Robert Williams ISBN: 9781108145787
Publisher: Cambridge University Press Publication: April 3, 2017
Imprint: Cambridge University Press Language: English
Author: Robert Williams
ISBN: 9781108145787
Publisher: Cambridge University Press
Publication: April 3, 2017
Imprint: Cambridge University Press
Language: English

Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry.

More books from Cambridge University Press

Cover of the book Trade and Poverty Reduction in the Asia-Pacific Region by Robert Williams
Cover of the book Sexuality in Europe by Robert Williams
Cover of the book Exploring Bach's B-minor Mass by Robert Williams
Cover of the book Optical Tweezers by Robert Williams
Cover of the book Social Movements and Protest by Robert Williams
Cover of the book Psychology and Law by Robert Williams
Cover of the book Marriage, Law and Gender in Revolutionary China, 1940–1960 by Robert Williams
Cover of the book The Cambridge Companion to Debussy by Robert Williams
Cover of the book The Life of Isaac Newton by Robert Williams
Cover of the book The Cambridge Companion to Schumann by Robert Williams
Cover of the book Mosquito Empires by Robert Williams
Cover of the book Cognition and the Brain by Robert Williams
Cover of the book Women and Justice for the Poor by Robert Williams
Cover of the book The Science of Qualitative Research by Robert Williams
Cover of the book State and Market in European Union Law by Robert Williams
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy