Revolutions
Essays on Contemporary Canadian Fiction
Fiction & Literature, Literary Theory & Criticism, Canadian
| Author: | Alex Good | ISBN: | 9781771961202 |
| Publisher: | Biblioasis | Publication: | March 14, 2017 |
| Imprint: | Biblioasis | Language: | English |
| Author: | Alex Good |
| ISBN: | 9781771961202 |
| Publisher: | Biblioasis |
| Publication: | March 14, 2017 |
| Imprint: | Biblioasis |
| Language: | English |
Revolutions is the first book-length critical survey of twenty-first-century Canadian fiction, with in-depth essays examining subjects such as the Scotiabank Giller Prize, the effects of the digital revolution, and the dark legacy of what has come to be know as the Canadian literary establishment. Throughout, close reading is given to many contemporary authors, with particular attention paid to such central figures as Douglas Coupland and David Adams Richards. Alex Good explains and contextualizes this period in Canadian fiction for the general reader, providing a much-needed critical re-assessment of Canadian writing in the new millennium.
By offering a contrary yet thoughtful position to that taken by our nation’s most prominent literary tastemakers, Good offers a vigorous commentary on the state of Canadian literature—where we are and how we got here.
Revolutions is the first book-length critical survey of twenty-first-century Canadian fiction, with in-depth essays examining subjects such as the Scotiabank Giller Prize, the effects of the digital revolution, and the dark legacy of what has come to be know as the Canadian literary establishment. Throughout, close reading is given to many contemporary authors, with particular attention paid to such central figures as Douglas Coupland and David Adams Richards. Alex Good explains and contextualizes this period in Canadian fiction for the general reader, providing a much-needed critical re-assessment of Canadian writing in the new millennium.
By offering a contrary yet thoughtful position to that taken by our nation’s most prominent literary tastemakers, Good offers a vigorous commentary on the state of Canadian literature—where we are and how we got here.
