Rhythm Is My Beat

Jazz Guitar Great Freddie Green and the Count Basie Sound

Nonfiction, Entertainment, Music, Music Styles, Jazz & Blues, Jazz, Biography & Memoir, Composers & Musicians
Cover of the book Rhythm Is My Beat by Alfred Green, Rowman & Littlefield Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alfred Green ISBN: 9781442242470
Publisher: Rowman & Littlefield Publishers Publication: August 6, 2015
Imprint: Rowman & Littlefield Publishers Language: English
Author: Alfred Green
ISBN: 9781442242470
Publisher: Rowman & Littlefield Publishers
Publication: August 6, 2015
Imprint: Rowman & Littlefield Publishers
Language: English

In Rhythm Is My Beat: Jazz Guitar Great Freddie Green and the Count Basie Sound, Alfred Green tells the story of his father, rhythm guitarist Freddie Green, whose guitar work served as the pulse of the Count Basie Band. A quiet but key figure in big band jazz, Freddie Green took a distinct pride in his role as Basie’s rhythm guitarist, redefining the outer limits of acoustic rhythm guitar and morphing it into an art form. So distinct was Green’s style that it would eventually give birth to notations on guitar charts that read: “Play in the style of Freddie Green.”

This American jazz icon, much like his inimitable sound, achieved stardom as a sideman, both in and out of Basie’s band. Green’s signature sound provided lift to soloists like Lester Young and vocalist Lil’ Jimmy Rushing, a reflection of Green’s sophisticated technique, that produced, in Green’s words, his “rhythm wave.” Billie Holiday, Ruby Braff, Benny Goodman, Gerry Mulligan, Teddy Wilson, Ray Charles, Judy Carmichael, Joe Williams and other recording artists all benefited from the relentless fours of the man who came to be known as Mr. Rhythm. The mystique surrounding Freddie Green’s technique is illuminated through generous commentary by insightful interviews with other musicians, guitar professionals and scholars, all of whom offer their ideas on Freddie Green’s sound. Alfred Green throughout demystifies the man behind the legend.

This work will interest jazz fans, students, and scholars; guitar enthusiasts and professionals; music historians and anyone interested not only in the history of jazz but of the African American experience in jazz.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Rhythm Is My Beat: Jazz Guitar Great Freddie Green and the Count Basie Sound, Alfred Green tells the story of his father, rhythm guitarist Freddie Green, whose guitar work served as the pulse of the Count Basie Band. A quiet but key figure in big band jazz, Freddie Green took a distinct pride in his role as Basie’s rhythm guitarist, redefining the outer limits of acoustic rhythm guitar and morphing it into an art form. So distinct was Green’s style that it would eventually give birth to notations on guitar charts that read: “Play in the style of Freddie Green.”

This American jazz icon, much like his inimitable sound, achieved stardom as a sideman, both in and out of Basie’s band. Green’s signature sound provided lift to soloists like Lester Young and vocalist Lil’ Jimmy Rushing, a reflection of Green’s sophisticated technique, that produced, in Green’s words, his “rhythm wave.” Billie Holiday, Ruby Braff, Benny Goodman, Gerry Mulligan, Teddy Wilson, Ray Charles, Judy Carmichael, Joe Williams and other recording artists all benefited from the relentless fours of the man who came to be known as Mr. Rhythm. The mystique surrounding Freddie Green’s technique is illuminated through generous commentary by insightful interviews with other musicians, guitar professionals and scholars, all of whom offer their ideas on Freddie Green’s sound. Alfred Green throughout demystifies the man behind the legend.

This work will interest jazz fans, students, and scholars; guitar enthusiasts and professionals; music historians and anyone interested not only in the history of jazz but of the African American experience in jazz.

More books from Rowman & Littlefield Publishers

Cover of the book Community Planning by Alfred Green
Cover of the book Inclusive Feminism by Alfred Green
Cover of the book Polish Style in the Music of Johann Sebastian Bach by Alfred Green
Cover of the book The Catholic Invasion of China by Alfred Green
Cover of the book The Man Who Could Fly by Alfred Green
Cover of the book Lives and Times by Alfred Green
Cover of the book Richard Henry Lee of Virginia by Alfred Green
Cover of the book Sport Philosophy Now by Alfred Green
Cover of the book North Korea in Transition by Alfred Green
Cover of the book The Sea Eagle by Alfred Green
Cover of the book Worship Frames by Alfred Green
Cover of the book The Bare Bones of Advertising Print Design by Alfred Green
Cover of the book Recapturing Sophocles' Antigone by Alfred Green
Cover of the book Race and Labor Matters in the New U.S. Economy by Alfred Green
Cover of the book When Music Goes to School by Alfred Green
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy