Robert Louis Stevenson and the Pictorial Text

A Case Study in the Victorian Illustrated Novel

Fiction & Literature, Literary Theory & Criticism, European
Cover of the book Robert Louis Stevenson and the Pictorial Text by Richard J. Hill, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Richard J. Hill ISBN: 9781317062165
Publisher: Taylor and Francis Publication: November 3, 2016
Imprint: Routledge Language: English
Author: Richard J. Hill
ISBN: 9781317062165
Publisher: Taylor and Francis
Publication: November 3, 2016
Imprint: Routledge
Language: English

Robert Louis Stevenson and the Pictorial Text explores the genesis, production and the critical appreciation of the illustrations to the fiction of Robert Louis Stevenson. Stevenson is one of the most copied and interpreted authors of the late nineteenth century, especially his novels Treasure Island and Strange Case of Dr Jekyll and Mr Hyde. These interpretations began with the illustration of his texts in their early editions, often with Stevenson’s express consent, and this book traces Stevenson’s understanding and critical responses to the artists employed to illustrate his texts. In doing so, it attempts to position Stevenson as an important thinker and writer on the subject of illustrated literature, and on the marriage of literature and visual arts, at a moment preceding the dawn of cinema, and the rejection of such popular tropes by modernist writers of the early twentieth century.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Robert Louis Stevenson and the Pictorial Text explores the genesis, production and the critical appreciation of the illustrations to the fiction of Robert Louis Stevenson. Stevenson is one of the most copied and interpreted authors of the late nineteenth century, especially his novels Treasure Island and Strange Case of Dr Jekyll and Mr Hyde. These interpretations began with the illustration of his texts in their early editions, often with Stevenson’s express consent, and this book traces Stevenson’s understanding and critical responses to the artists employed to illustrate his texts. In doing so, it attempts to position Stevenson as an important thinker and writer on the subject of illustrated literature, and on the marriage of literature and visual arts, at a moment preceding the dawn of cinema, and the rejection of such popular tropes by modernist writers of the early twentieth century.

More books from Taylor and Francis

Cover of the book Psychology of Aid by Richard J. Hill
Cover of the book Semantic Polarities and Psychopathologies in the Family by Richard J. Hill
Cover of the book Writing on the Southern Front by Richard J. Hill
Cover of the book Economic Development and Inequality in China by Richard J. Hill
Cover of the book Sociological Aspects of Crime and Delinquency (Routledge Revivals) by Richard J. Hill
Cover of the book Evolution: The Basics by Richard J. Hill
Cover of the book The Romance of Flamenca by Richard J. Hill
Cover of the book Egyptian Foreign Policy From Mubarak to Morsi by Richard J. Hill
Cover of the book Lacan on Madness by Richard J. Hill
Cover of the book The UN, Peace and Force by Richard J. Hill
Cover of the book Between Mind and Brain by Richard J. Hill
Cover of the book The Russian Revolution of 1905 by Richard J. Hill
Cover of the book Rethinking Relations and Animism by Richard J. Hill
Cover of the book Fair Weather by Richard J. Hill
Cover of the book Understanding Israel by Richard J. Hill
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy