| Author: | Maria Shevtsova | ISBN: | 9780429940828 |
| Publisher: | Taylor and Francis | Publication: | October 25, 2018 |
| Imprint: | Routledge | Language: | English |
| Author: | Maria Shevtsova |
| ISBN: | 9780429940828 |
| Publisher: | Taylor and Francis |
| Publication: | October 25, 2018 |
| Imprint: | Routledge |
| Language: | English |
Robert Wilson is an American–European director who is also a performer, installation artist, writer, designer of light and much more besides – a crossover polymath who dissolves both generic and geographical boundaries and is a precursor of globalisation in the arts. This second edition of Robert Wilson combines:
- an analysis of his main productions, situated in their American and European socio-cultural and political contexts
- a focused, detailed study of Wilson’s pathbreaking Einstein on the Beach
- a study of Pushkin's Fairy Tales as the foremost example of his folk-rock music theatre in the twenty-first century
- an exploration of his ‘visual book’, workshop and rehearsal methods, and collaborative procedures
- a study of his aesthetic principles and the elements of composition that distinguish his directorial approach
- a series of practical exercises for students and practitioners highlighting Wilson’s technique.
As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Robert Wilson is an American–European director who is also a performer, installation artist, writer, designer of light and much more besides – a crossover polymath who dissolves both generic and geographical boundaries and is a precursor of globalisation in the arts. This second edition of Robert Wilson combines:
- an analysis of his main productions, situated in their American and European socio-cultural and political contexts
- a focused, detailed study of Wilson’s pathbreaking Einstein on the Beach
- a study of Pushkin's Fairy Tales as the foremost example of his folk-rock music theatre in the twenty-first century
- an exploration of his ‘visual book’, workshop and rehearsal methods, and collaborative procedures
- a study of his aesthetic principles and the elements of composition that distinguish his directorial approach
- a series of practical exercises for students and practitioners highlighting Wilson’s technique.
As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
