Roland Hayes

The Legacy of an American Tenor

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera, History, Americas, United States, 20th Century
Cover of the book Roland Hayes by Christopher A. Brooks, Robert Sims, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Christopher A. Brooks, Robert Sims ISBN: 9780253015396
Publisher: Indiana University Press Publication: December 22, 2014
Imprint: Indiana University Press Language: English
Author: Christopher A. Brooks, Robert Sims
ISBN: 9780253015396
Publisher: Indiana University Press
Publication: December 22, 2014
Imprint: Indiana University Press
Language: English

A “gripping, sensitive” biography of the trailblazing singer who carved a path for African American artists including Marian Anderson and Paul Robeson (The Atlanta Voice).

Performing in a country rife with racism and segregation, the tenor Roland Hayes was the first African American man to reach international fame as a concert performer. He became one of the few artists in the world who could sell out Town Hall, Carnegie Hall, Symphony Hall, and Covent Garden. Performing the African American spirituals he was raised on, his voice was marked with a unique sonority which easily navigated French, German, and Italian art songs. A multiculturalist both on and off the stage, he counted among his friends George Washington Carver, Eleanor Roosevelt, Ezra Pound, Pearl Buck, Dwight Eisenhower, and Langston Hughes.

This “substantial and well-documented” biography spans the history of Hayes’s life and career and the legacy he left behind as a musician and a champion of African American rights (BBC Music Magazine). It is an authentic, panoramic portrait of a man who was as complex as the music he performed.

“Like many generations of celebrated African American concert artists, I am an inheritor of the legacy left by the great Roland Hayes. Yet, we hardly know his name today. With this long overdue book, the oversight is now remedied.” —Lawrence Brownlee, Metropolitan Opera

“A wonderful journey through Hayes’ performances, racial plight and acceptance.” **—**Examiner.com

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A “gripping, sensitive” biography of the trailblazing singer who carved a path for African American artists including Marian Anderson and Paul Robeson (The Atlanta Voice).

Performing in a country rife with racism and segregation, the tenor Roland Hayes was the first African American man to reach international fame as a concert performer. He became one of the few artists in the world who could sell out Town Hall, Carnegie Hall, Symphony Hall, and Covent Garden. Performing the African American spirituals he was raised on, his voice was marked with a unique sonority which easily navigated French, German, and Italian art songs. A multiculturalist both on and off the stage, he counted among his friends George Washington Carver, Eleanor Roosevelt, Ezra Pound, Pearl Buck, Dwight Eisenhower, and Langston Hughes.

This “substantial and well-documented” biography spans the history of Hayes’s life and career and the legacy he left behind as a musician and a champion of African American rights (BBC Music Magazine). It is an authentic, panoramic portrait of a man who was as complex as the music he performed.

“Like many generations of celebrated African American concert artists, I am an inheritor of the legacy left by the great Roland Hayes. Yet, we hardly know his name today. With this long overdue book, the oversight is now remedied.” —Lawrence Brownlee, Metropolitan Opera

“A wonderful journey through Hayes’ performances, racial plight and acceptance.” **—**Examiner.com

More books from Indiana University Press

Cover of the book Tambú by Christopher A. Brooks, Robert Sims
Cover of the book Turtles as Hopeful Monsters by Christopher A. Brooks, Robert Sims
Cover of the book Islam and Politics in the Middle East by Christopher A. Brooks, Robert Sims
Cover of the book Ecstasy, Ritual, and Alternate Reality by Christopher A. Brooks, Robert Sims
Cover of the book The Last Century of Sea Power, Volume 1 by Christopher A. Brooks, Robert Sims
Cover of the book War and Technology by Christopher A. Brooks, Robert Sims
Cover of the book The End of the Holocaust by Christopher A. Brooks, Robert Sims
Cover of the book Franchthi Neolithic Pottery, Volume 2, vol. 2 by Christopher A. Brooks, Robert Sims
Cover of the book Mass Violence in Nazi-Occupied Europe by Christopher A. Brooks, Robert Sims
Cover of the book Hunger and War by Christopher A. Brooks, Robert Sims
Cover of the book Philanthropic Discourse in Anglo-American Literature, 1850-1920 by Christopher A. Brooks, Robert Sims
Cover of the book Taking Stock by Christopher A. Brooks, Robert Sims
Cover of the book Orphans of the East by Christopher A. Brooks, Robert Sims
Cover of the book Greek Orthodox Music in Ottoman Istanbul by Christopher A. Brooks, Robert Sims
Cover of the book Children’s Home Musical Experiences Across the World by Christopher A. Brooks, Robert Sims
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy