Romancing the Bard

Stratford at Fifty

Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism, Fiction & Literature, Drama
Cover of the book Romancing the Bard by Martin Hunter, Dundurn
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Author: Martin Hunter ISBN: 9781459720770
Publisher: Dundurn Publication: October 1, 2001
Imprint: Dundurn Language: English
Author: Martin Hunter
ISBN: 9781459720770
Publisher: Dundurn
Publication: October 1, 2001
Imprint: Dundurn
Language: English

Romancing the Bard offers a look at the Stratford Festival in its first fifty years as it developed from a bold venture driven by vision of a handful of eager enthusiasts to its present status as a multi-million dollar cultural and commercial enterprise. With profiles of Stratford personalities from founder Tyrone Guthrie to current artistic director Richard Monette, it provides glimpses of intrigue and conflict both offstage and on.

The book traces the development of a distinctive Canadian acting style, the soaring costs of production and design, the conflict between artists and moneymen, the external image promoted by publicists or imposed by critics and the changing mandate as the Festival assumes an increasingly populist character.

This is a celebration of a uniquely successful artistic enterprise, and focuses on some of the Festival’s finest productions. Illustrated with photographs from the Festival archives.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Romancing the Bard offers a look at the Stratford Festival in its first fifty years as it developed from a bold venture driven by vision of a handful of eager enthusiasts to its present status as a multi-million dollar cultural and commercial enterprise. With profiles of Stratford personalities from founder Tyrone Guthrie to current artistic director Richard Monette, it provides glimpses of intrigue and conflict both offstage and on.

The book traces the development of a distinctive Canadian acting style, the soaring costs of production and design, the conflict between artists and moneymen, the external image promoted by publicists or imposed by critics and the changing mandate as the Festival assumes an increasingly populist character.

This is a celebration of a uniquely successful artistic enterprise, and focuses on some of the Festival’s finest productions. Illustrated with photographs from the Festival archives.

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