Romantic Appropriations of History

The Legends of Joanna Baillie and Margaret Holford Hodson

Nonfiction, History, Modern, 18th Century, Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, British
Cover of the book Romantic Appropriations of History by Judith Bailey-Slagle, Fairleigh Dickinson University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Judith Bailey-Slagle ISBN: 9781611475104
Publisher: Fairleigh Dickinson University Press Publication: July 20, 2012
Imprint: Fairleigh Dickinson University Press Language: English
Author: Judith Bailey-Slagle
ISBN: 9781611475104
Publisher: Fairleigh Dickinson University Press
Publication: July 20, 2012
Imprint: Fairleigh Dickinson University Press
Language: English

Romantic Appropriations of History: The Legends of Joanna Baillie and Margaret Holford Hodson focuses on Joanna Baillie’s Metrical Legends of Exalted Characters (1821) and on various historical tales, either written or translated, by one of her very close friends, Margaret Holford Hodson. While Baillie’s plays have garnered significant critical attention over the past few years, little has been written about her poetry. Further, virtually no attention has been given to Hodson’s works, yet critic Stephen Behrendt argues that her Margaret of Anjou is a “minor masterpiece that has not been accorded the attention it deserves.”

Romantic Appropriations of History offers a look at how two early nineteenth-century women, each under her own “anxiety of influence,” appropriated original tales to produce completely new texts of political and cultural significance. The book addresses appropriation and translation in various ways and provides an introduction to the lives and alliances of Joanna Baillie and Margaret Holford Hodson, both to each other and to two significant poets and friends who were proponents of this historical tradition in literature—Walter Scott and Robert Southey. Employing the language of fancy, Baillie and Hodson joined the pathos of historical situations and archetypical characters with their own cultural and ethical sensibilities at a time of literary, social, and political disorder. The atmosphere not only provided Baillie and Hodson with the therapeutic power of appropriating history, but it also established them as creative, political women with distinct voices in a patriarchal, yet dynamic, nineteenth-century world.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Romantic Appropriations of History: The Legends of Joanna Baillie and Margaret Holford Hodson focuses on Joanna Baillie’s Metrical Legends of Exalted Characters (1821) and on various historical tales, either written or translated, by one of her very close friends, Margaret Holford Hodson. While Baillie’s plays have garnered significant critical attention over the past few years, little has been written about her poetry. Further, virtually no attention has been given to Hodson’s works, yet critic Stephen Behrendt argues that her Margaret of Anjou is a “minor masterpiece that has not been accorded the attention it deserves.”

Romantic Appropriations of History offers a look at how two early nineteenth-century women, each under her own “anxiety of influence,” appropriated original tales to produce completely new texts of political and cultural significance. The book addresses appropriation and translation in various ways and provides an introduction to the lives and alliances of Joanna Baillie and Margaret Holford Hodson, both to each other and to two significant poets and friends who were proponents of this historical tradition in literature—Walter Scott and Robert Southey. Employing the language of fancy, Baillie and Hodson joined the pathos of historical situations and archetypical characters with their own cultural and ethical sensibilities at a time of literary, social, and political disorder. The atmosphere not only provided Baillie and Hodson with the therapeutic power of appropriating history, but it also established them as creative, political women with distinct voices in a patriarchal, yet dynamic, nineteenth-century world.

More books from Fairleigh Dickinson University Press

Cover of the book Andrew Marvell, Sexual Orientation, and Seventeenth-Century Poetry by Judith Bailey-Slagle
Cover of the book Elsa Morante's Politics of Writing by Judith Bailey-Slagle
Cover of the book I Eat, Therefore I Think by Judith Bailey-Slagle
Cover of the book Utopia and Dystopia in the Age of Trump by Judith Bailey-Slagle
Cover of the book Cinematography in the Weimar Republic by Judith Bailey-Slagle
Cover of the book Janet Frame by Judith Bailey-Slagle
Cover of the book Radiohead and the Global Movement for Change by Judith Bailey-Slagle
Cover of the book The Annotated Works of Henry George by Judith Bailey-Slagle
Cover of the book Shakespeare Expressed by Judith Bailey-Slagle
Cover of the book The Annotated Works of Henry George by Judith Bailey-Slagle
Cover of the book Return Narratives by Judith Bailey-Slagle
Cover of the book The Life of Catalina de Erauso, the Lieutenant Nun by Judith Bailey-Slagle
Cover of the book Nixon in New York by Judith Bailey-Slagle
Cover of the book Goliarda Sapienza in Context by Judith Bailey-Slagle
Cover of the book Screening Woolf by Judith Bailey-Slagle
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy