Roots of the New Arab Film

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, History, Middle East
Cover of the book Roots of the New Arab Film by Roy Armes, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Roy Armes ISBN: 9780253031730
Publisher: Indiana University Press Publication: March 8, 2018
Imprint: Indiana University Press Language: English
Author: Roy Armes
ISBN: 9780253031730
Publisher: Indiana University Press
Publication: March 8, 2018
Imprint: Indiana University Press
Language: English

Roots of the New Arab Film deals with the generation of filmmakers from across North Africa and the Middle East who created an international awareness of Arab film from the mid-1980s onwards. These seminal filmmakers experienced the moment of national independence first-hand in their youth and retained a deep attachment to their homeland. Although these aspiring filmmakers had to seek their training abroad, they witnessed a time of filmic revival in Europe – Fellini and Antonioni in Italy, the French New Wave, and British Free Cinema.

Returning home, these filmmakers brought a unique insider/outsider perspective to bear on local developments in society since independence, including the divide between urban and rural communities, the continuing power of traditional values and the status of women in a changing society. As they made their first films back home, the feelings of participation in a worldwide movement of new, independent filmmaking was palpable. Roots of the New Arab Film is a necessary and comprehensive resource for anyone interested in the foundations of Arab cinema.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Roots of the New Arab Film deals with the generation of filmmakers from across North Africa and the Middle East who created an international awareness of Arab film from the mid-1980s onwards. These seminal filmmakers experienced the moment of national independence first-hand in their youth and retained a deep attachment to their homeland. Although these aspiring filmmakers had to seek their training abroad, they witnessed a time of filmic revival in Europe – Fellini and Antonioni in Italy, the French New Wave, and British Free Cinema.

Returning home, these filmmakers brought a unique insider/outsider perspective to bear on local developments in society since independence, including the divide between urban and rural communities, the continuing power of traditional values and the status of women in a changing society. As they made their first films back home, the feelings of participation in a worldwide movement of new, independent filmmaking was palpable. Roots of the New Arab Film is a necessary and comprehensive resource for anyone interested in the foundations of Arab cinema.

More books from Indiana University Press

Cover of the book Global Governance and the UN by Roy Armes
Cover of the book Islam and Politics in the Middle East by Roy Armes
Cover of the book Looking Jewish by Roy Armes
Cover of the book Veiling in Africa by Roy Armes
Cover of the book Living in the Ottoman Realm by Roy Armes
Cover of the book Fanfares and Finesse by Roy Armes
Cover of the book Labor Disorders in Neoliberal Italy by Roy Armes
Cover of the book Plato on the Limits of Human Life by Roy Armes
Cover of the book Advocate for the Doomed by Roy Armes
Cover of the book Between Word and Image by Roy Armes
Cover of the book Palestinian Music and Song by Roy Armes
Cover of the book The Mutual Cultivation of Self and Things by Roy Armes
Cover of the book Tonal Space in the Music of Antonio Vivaldi by Roy Armes
Cover of the book Where the Spirits Ride the Wind by Roy Armes
Cover of the book Tambú by Roy Armes
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy