Rosa Bonheur: Drawings & Paintings (Annotated)

Nonfiction, Art & Architecture, Art History, European, General Art
Cover of the book Rosa Bonheur: Drawings & Paintings (Annotated) by Raya Yotova, Publisher s13381
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Raya Yotova ISBN: 9788832523164
Publisher: Publisher s13381 Publication: February 22, 2019
Imprint: Language: English
Author: Raya Yotova
ISBN: 9788832523164
Publisher: Publisher s13381
Publication: February 22, 2019
Imprint:
Language: English

Bonheur can be seen as a symbol of the 19th century "New Woman"; at a time when women were looking at a certain amount of neglect, she demonstratively decided to wear pants, shirts, and ties. The wearing of men's clothing gave Bonheur an identity, allowing her openly to show that she refused to adapt to the social biases of the society at that time.
In her life she had two women intimate partners; the first she lived for forty years, and the second entered her life after the death of her first partner. After she had chosen to never become an add-on or appendage to a man, she decided in principle that she would be her boss and that she could lean on herself and her talents. Bonheur's legacy paved the way for other female artists who did not compromise their autonomy and the prejudice of society towards women.
 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Bonheur can be seen as a symbol of the 19th century "New Woman"; at a time when women were looking at a certain amount of neglect, she demonstratively decided to wear pants, shirts, and ties. The wearing of men's clothing gave Bonheur an identity, allowing her openly to show that she refused to adapt to the social biases of the society at that time.
In her life she had two women intimate partners; the first she lived for forty years, and the second entered her life after the death of her first partner. After she had chosen to never become an add-on or appendage to a man, she decided in principle that she would be her boss and that she could lean on herself and her talents. Bonheur's legacy paved the way for other female artists who did not compromise their autonomy and the prejudice of society towards women.
 

More books from Publisher s13381

Cover of the book Lan Ying: Drawings & Paintings (Annotated) by Raya Yotova
Cover of the book Juan De Flandes: Drawings & Paintings (Annotated) by Raya Yotova
Cover of the book Benjamin West: Selected Paintings by Raya Yotova
Cover of the book Gaspar De Crayer: Drawings & Paintings (Annotated) by Raya Yotova
Cover of the book Sofonisba Anguissola: Drawings & Paintings (Annotated) by Raya Yotova
Cover of the book Gustave Courbet: Drawings & Paintings (Annotated) by Raya Yotova
Cover of the book Lu Ji: Drawings & Paintings (Annotated) by Raya Yotova
Cover of the book Giuseppe Arcimboldo: 120 Drawings & Paintings (Annotated) by Raya Yotova
Cover of the book Otto Van Veen: Drawings & Paintings (Annotated) by Raya Yotova
Cover of the book Denis Van Alsloot: Drawings & Paintings (Annotated) by Raya Yotova
Cover of the book Konstantin Somov: Selected Paintings by Raya Yotova
Cover of the book Paul Delaroche: Selected Paintings (Colour Plates) by Raya Yotova
Cover of the book Robert Campin: Drawings & Paintings (Annotated) by Raya Yotova
Cover of the book John Constanble: Selected Paintings (Colour Plates) by Raya Yotova
Cover of the book Jin Nong: Drawings & Paintings (Annotated) by Raya Yotova
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy