Samuel Beckett's Krapp's Last Tape

Fiction & Literature, Drama, British & Irish, Nonfiction, Entertainment, Theatre
Cover of the book Samuel Beckett's Krapp's Last Tape by Daniel Sack, Taylor and Francis
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Author: Daniel Sack ISBN: 9781317335351
Publisher: Taylor and Francis Publication: October 4, 2016
Imprint: Routledge Language: English
Author: Daniel Sack
ISBN: 9781317335351
Publisher: Taylor and Francis
Publication: October 4, 2016
Imprint: Routledge
Language: English

"We lay there without moving. But under us all moved, and moved us." - Krapp

Samuel Beckett’s most accessible play is also one of the twentieth century’s most moving dramas about aging, memory, and disappointment. Daniel Sack offers the first comprehensive survey of Krapp’s Last Tape(1958)with a general reader in mind.

Structured around a series of questions, five approachable sections contextualize the play in the larger career of its Nobel-Prize-winning writer, explore its major thematic concerns, and offer comparative analyses with Beckett’s other signal works. Sack also uses discussions of significant productions, including those directed by the playwright himself, to ground interpretation of the play in terms of its performance and provide a useful resource to directors and actors.

Both a critical and personal exploration of this haunting play, this volume is a must-read for anyone with an interest in Beckett’s work.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

"We lay there without moving. But under us all moved, and moved us." - Krapp

Samuel Beckett’s most accessible play is also one of the twentieth century’s most moving dramas about aging, memory, and disappointment. Daniel Sack offers the first comprehensive survey of Krapp’s Last Tape(1958)with a general reader in mind.

Structured around a series of questions, five approachable sections contextualize the play in the larger career of its Nobel-Prize-winning writer, explore its major thematic concerns, and offer comparative analyses with Beckett’s other signal works. Sack also uses discussions of significant productions, including those directed by the playwright himself, to ground interpretation of the play in terms of its performance and provide a useful resource to directors and actors.

Both a critical and personal exploration of this haunting play, this volume is a must-read for anyone with an interest in Beckett’s work.

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