San-Cravate; Or, the Messengers; Little Streams

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book San-Cravate; Or, the Messengers; Little Streams by Charles Paul de Kock, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Charles Paul de Kock ISBN: 9781465529138
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Charles Paul de Kock
ISBN: 9781465529138
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
THE IDLERS.—BOULEVARD DES ITALIENS Three young men, arm in arm, were walking, or, to speak more accurately, loitering, along Boulevard des Italiens, looking to right and left, scrutinizing the women at close quarters, especially when they were pretty; commenting aloud on the face of one and the bearing of another, interspersing their reflections with jests, puns, foolish remarks, and bursts of laughter; and, lastly, smoking cigars, an accomplishment which is now indispensable to the young men of fashion whose ordinary promenade is the Boulevard de la Chaussée d'Antin. It is a little world in itself that frequents Boulevard des Italiens, a fashionable, aristocratic, eccentric boulevard, where, none the less, many of the promenaders affect manners, dress, and language which remind us forcibly of Diogenes. Each portion of a large city has its quarters, with their habitués and their residents, whose dress, language, and manners have their own peculiar characteristics. Thus, there is a marked difference between the costume of an annuitant of the Marais and that of the ex-young man of the Chaussée d'Antin; between the dress of a grande dame of Faubourg Saint-Germain and that of a bourgeois housewife of the Cité; between the grisette of Rue Saint-Jacques and her of Place Bréda, who has lately taken the name of lorette. Of course, the residents of one quarter do not remain altogether on their own territory, and they may sometimes be met with in a neighboring section. But, even then, a practised eye never makes a mistake; it recognizes the strangers at once, and does not confound them with the natives of the quarter. In vain do the former try to assume the bearing and manners of the latter—the natural instincts, when we try to drive them away, return at a gallop, and it would be as difficult for a government clerk who lives on Rue Saint-Antoine to resemble a clerk in a banking house on Rue Laffite, as for a siren of Place Maubert to copy the manners of a young lady of Faubourg Saint-Honoré. Boulevard des Italiens is no ordinary promenade; it deserves the attention of the observer; indeed, it is worthy of a chapter in the history of Paris, for it has changed its name more than once in accordance with political exigencies. At the time of the Revolution of '89, this segment of the boulevards was called Coblentz, and it retained that name under the Empire. Not until 1815, at the time of the Second Restoration, did it exchange the name of Coblentz for that of Gand. The former name recalled the place of rendezvous of the émigrés of the Revolution; the Other, the second return of Louis XVIII. The French have always loved to bring politics into the most trivial things; they have brought it into their ballads and into the names of flowers; so they could consistently give a political tinge to the name of a fashionable promenade. But the great majority of the ladies who resort to Boulevard des Italiens in search of conquests put no politics in their smiles; they are cosmopolites, for they have been known to dart glances impartially at republicans and legitimists, at old soldiers of the Empire and favorites of the Restoration; it has been observed, however, that they affect more particularly the partisans of the juste-milieu
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
THE IDLERS.—BOULEVARD DES ITALIENS Three young men, arm in arm, were walking, or, to speak more accurately, loitering, along Boulevard des Italiens, looking to right and left, scrutinizing the women at close quarters, especially when they were pretty; commenting aloud on the face of one and the bearing of another, interspersing their reflections with jests, puns, foolish remarks, and bursts of laughter; and, lastly, smoking cigars, an accomplishment which is now indispensable to the young men of fashion whose ordinary promenade is the Boulevard de la Chaussée d'Antin. It is a little world in itself that frequents Boulevard des Italiens, a fashionable, aristocratic, eccentric boulevard, where, none the less, many of the promenaders affect manners, dress, and language which remind us forcibly of Diogenes. Each portion of a large city has its quarters, with their habitués and their residents, whose dress, language, and manners have their own peculiar characteristics. Thus, there is a marked difference between the costume of an annuitant of the Marais and that of the ex-young man of the Chaussée d'Antin; between the dress of a grande dame of Faubourg Saint-Germain and that of a bourgeois housewife of the Cité; between the grisette of Rue Saint-Jacques and her of Place Bréda, who has lately taken the name of lorette. Of course, the residents of one quarter do not remain altogether on their own territory, and they may sometimes be met with in a neighboring section. But, even then, a practised eye never makes a mistake; it recognizes the strangers at once, and does not confound them with the natives of the quarter. In vain do the former try to assume the bearing and manners of the latter—the natural instincts, when we try to drive them away, return at a gallop, and it would be as difficult for a government clerk who lives on Rue Saint-Antoine to resemble a clerk in a banking house on Rue Laffite, as for a siren of Place Maubert to copy the manners of a young lady of Faubourg Saint-Honoré. Boulevard des Italiens is no ordinary promenade; it deserves the attention of the observer; indeed, it is worthy of a chapter in the history of Paris, for it has changed its name more than once in accordance with political exigencies. At the time of the Revolution of '89, this segment of the boulevards was called Coblentz, and it retained that name under the Empire. Not until 1815, at the time of the Second Restoration, did it exchange the name of Coblentz for that of Gand. The former name recalled the place of rendezvous of the émigrés of the Revolution; the Other, the second return of Louis XVIII. The French have always loved to bring politics into the most trivial things; they have brought it into their ballads and into the names of flowers; so they could consistently give a political tinge to the name of a fashionable promenade. But the great majority of the ladies who resort to Boulevard des Italiens in search of conquests put no politics in their smiles; they are cosmopolites, for they have been known to dart glances impartially at republicans and legitimists, at old soldiers of the Empire and favorites of the Restoration; it has been observed, however, that they affect more particularly the partisans of the juste-milieu

More books from Library of Alexandria

Cover of the book Perlycross: A Tale of the Western Hills by Charles Paul de Kock
Cover of the book The American Girl's Handy Book: How to Amuse Youself and Others by Charles Paul de Kock
Cover of the book The Solomon Islands and Their Natives by Charles Paul de Kock
Cover of the book Atlantic Classics by Charles Paul de Kock
Cover of the book Hania by Charles Paul de Kock
Cover of the book Selected Short Works of Arnold Bennett: In the Capital of the Sahara, A Solution of the Algiers Mystery, The Ghost of Lord Clarenceux, The Fire of London, A Comedy on the Gold Coast, Lo! 'Twas a Gala Night!, The Dog, A Bracelet at Bruges, How to Live by Charles Paul de Kock
Cover of the book The Grizzly King by Charles Paul de Kock
Cover of the book Introduction to the Study of Palaeontological Botany by Charles Paul de Kock
Cover of the book North Cornwall Fairies and Legends by Charles Paul de Kock
Cover of the book Domitia by Charles Paul de Kock
Cover of the book Le Livre Des Mères Et Des Enfants (Complete) by Charles Paul de Kock
Cover of the book The White Crystals Being an Account of the Adventures of Two Boys by Charles Paul de Kock
Cover of the book The Home Book of Verse (Complete) by Charles Paul de Kock
Cover of the book Nagualism by Charles Paul de Kock
Cover of the book Baloma; the Spirits of the Dead in the Trobriand Islands by Charles Paul de Kock
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy