Sargent

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Sargent by T. Martin Wood, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: T. Martin Wood ISBN: 9781465563293
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: T. Martin Wood
ISBN: 9781465563293
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
Was there ever a more romantic time than our own, or a people who took everything more matter-of-factly? The paintings of a period contain all its enthusiasms and illusions. We remember the eighteenth century—at least in England—by Reynolds' and Gainsborough's art, the seventeenth century by Van Dyck's; and when we remember the eighteenth century in France, it is to think of Watteau, who expressed what his world, drifting towards disaster, cared about—an illusion of a never-ending summer's day. These names are expressive of their times, and Sargent's art, with disillusioned outlook, mirrors an obvious aspect of English life to-day. Above all others he has taken his world as it is, with the delight in life, in its everyday appearance, with which the representative artists of any period have been gifted. Perhaps the next generation will feel that it owes more to him than to any painter of this time. For the ephemeralities of the moment in costume and fashion are the blossoms in which life seeks expression—whatever its fruit. It is agreed that everything is expression, from a spring bud bursting to a ribbon worn for a moment against a woman's hair. And who deals with the surface of life deals with realities, for the rest is guess-work.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Was there ever a more romantic time than our own, or a people who took everything more matter-of-factly? The paintings of a period contain all its enthusiasms and illusions. We remember the eighteenth century—at least in England—by Reynolds' and Gainsborough's art, the seventeenth century by Van Dyck's; and when we remember the eighteenth century in France, it is to think of Watteau, who expressed what his world, drifting towards disaster, cared about—an illusion of a never-ending summer's day. These names are expressive of their times, and Sargent's art, with disillusioned outlook, mirrors an obvious aspect of English life to-day. Above all others he has taken his world as it is, with the delight in life, in its everyday appearance, with which the representative artists of any period have been gifted. Perhaps the next generation will feel that it owes more to him than to any painter of this time. For the ephemeralities of the moment in costume and fashion are the blossoms in which life seeks expression—whatever its fruit. It is agreed that everything is expression, from a spring bud bursting to a ribbon worn for a moment against a woman's hair. And who deals with the surface of life deals with realities, for the rest is guess-work.

More books from Library of Alexandria

Cover of the book Woman's Work in Music by T. Martin Wood
Cover of the book All About the Income Tax by T. Martin Wood
Cover of the book The Letter of Petrus Peregrinus on the Magnet, A.D. 1269 by T. Martin Wood
Cover of the book Joanna Godden by T. Martin Wood
Cover of the book Talks about Flowers by T. Martin Wood
Cover of the book Shakti and Shâkta by T. Martin Wood
Cover of the book The American Novel by T. Martin Wood
Cover of the book Paddy Finn by T. Martin Wood
Cover of the book Knowledge Is Power: A View of the Productive Forces of Modern Society and the Results of Labor, Capital and Skill by T. Martin Wood
Cover of the book The Californians by T. Martin Wood
Cover of the book In Search of El Dorado by T. Martin Wood
Cover of the book Top by T. Martin Wood
Cover of the book The Medieval Latin Hymn by T. Martin Wood
Cover of the book The Lost Bowlers: (A Cricket Story) by T. Martin Wood
Cover of the book The Bridal Pair by T. Martin Wood
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy