Science Fiction and the Imitation of the Sacred

Nonfiction, Religion & Spirituality
Cover of the book Science Fiction and the Imitation of the Sacred by Richard Grigg, Bloomsbury Publishing
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Author: Richard Grigg ISBN: 9781350065659
Publisher: Bloomsbury Publishing Publication: June 14, 2018
Imprint: Bloomsbury Academic Language: English
Author: Richard Grigg
ISBN: 9781350065659
Publisher: Bloomsbury Publishing
Publication: June 14, 2018
Imprint: Bloomsbury Academic
Language: English

This book examines science fiction's relationship to religion and the sacred through the lens of significant books, films and television shows. It provides a clear account of the larger cultural and philosophical significance of science fiction, and explores its potential sacrality in today's secular world by analyzing material such as Ray Bradbury's classic novel The Martian Chronicles, films The Abyss and 2001: A Space Odyssey, and also the Star Trek universe.

Richard Grigg argues that science fiction is born of nostalgia for a truly 'Other' reality that is no longer available to us, and that the most accurate way to see the relationship between science fiction and traditional approaches to the sacred is as an imitation of true sacrality; this, he suggests, is the best option in a secular age. He demonstrates this by setting forth five definitions of the sacred and then, in consecutive chapters, investigating particular works of science fiction and showing just how they incarnate those definitions.

Science Fiction and the Imitation of the Sacred also considers the qualifiers that suggest that science fiction can onlyimitate the sacred, not genuinely replicate it, and assesses the implications of this investigation for our understanding of secularity and science fiction.

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This book examines science fiction's relationship to religion and the sacred through the lens of significant books, films and television shows. It provides a clear account of the larger cultural and philosophical significance of science fiction, and explores its potential sacrality in today's secular world by analyzing material such as Ray Bradbury's classic novel The Martian Chronicles, films The Abyss and 2001: A Space Odyssey, and also the Star Trek universe.

Richard Grigg argues that science fiction is born of nostalgia for a truly 'Other' reality that is no longer available to us, and that the most accurate way to see the relationship between science fiction and traditional approaches to the sacred is as an imitation of true sacrality; this, he suggests, is the best option in a secular age. He demonstrates this by setting forth five definitions of the sacred and then, in consecutive chapters, investigating particular works of science fiction and showing just how they incarnate those definitions.

Science Fiction and the Imitation of the Sacred also considers the qualifiers that suggest that science fiction can onlyimitate the sacred, not genuinely replicate it, and assesses the implications of this investigation for our understanding of secularity and science fiction.

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