Screen Adaptations: Shakespeare’s Hamlet

The Relationship between Text and Film

Nonfiction, Entertainment, Film, Reference, Performing Arts, Fiction & Literature, Literary Theory & Criticism
Cover of the book Screen Adaptations: Shakespeare’s Hamlet by Samuel Crowl, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Samuel Crowl ISBN: 9781472538925
Publisher: Bloomsbury Publishing Publication: January 30, 2014
Imprint: The Arden Shakespeare Language: English
Author: Samuel Crowl
ISBN: 9781472538925
Publisher: Bloomsbury Publishing
Publication: January 30, 2014
Imprint: The Arden Shakespeare
Language: English

Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined.

Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words†? into film's particular grammar and rhetoric

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined.

Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words†? into film's particular grammar and rhetoric

More books from Bloomsbury Publishing

Cover of the book His Second War by Samuel Crowl
Cover of the book Butterfly Wishes 4: Spring Shine Sparkles by Samuel Crowl
Cover of the book Myth Making in the Soviet Union and Modern Russia by Samuel Crowl
Cover of the book Sovay by Samuel Crowl
Cover of the book Anthony Neilson Plays: 3 by Samuel Crowl
Cover of the book Iran and Turkey by Samuel Crowl
Cover of the book Mutant Rising by Samuel Crowl
Cover of the book Heidegger’s Politics of Enframing by Samuel Crowl
Cover of the book Lily Dale: Believing by Samuel Crowl
Cover of the book A Super Happy Story (About Feeling Super Sad) by Samuel Crowl
Cover of the book Lawrence of Arabia by Samuel Crowl
Cover of the book Villain School: Hero in Disguise by Samuel Crowl
Cover of the book Modelling the Challenger 1 and 2 MBT and Variants by Samuel Crowl
Cover of the book The Monk Who Became Chief Minister by Samuel Crowl
Cover of the book R.E.M.'s Murmur by Samuel Crowl
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy