Screen Hustles, Grifts and Stings

Nonfiction, Entertainment, Drama, American, Fiction & Literature, Crime
Cover of the book Screen Hustles, Grifts and Stings by Amy Sargeant, Palgrave Macmillan
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Amy Sargeant ISBN: 9781137466907
Publisher: Palgrave Macmillan Publication: December 21, 2015
Imprint: Palgrave Pivot Language: English
Author: Amy Sargeant
ISBN: 9781137466907
Publisher: Palgrave Macmillan
Publication: December 21, 2015
Imprint: Palgrave Pivot
Language: English

Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit). Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit). Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?

More books from Palgrave Macmillan

Cover of the book Evaluating Culture by Amy Sargeant
Cover of the book Men, Masculinities and Methodologies by Amy Sargeant
Cover of the book Gender, Metal and the Media by Amy Sargeant
Cover of the book Creating Community Cohesion by Amy Sargeant
Cover of the book The War Power in an Age of Terrorism by Amy Sargeant
Cover of the book Deleuze and Lifelong Learning by Amy Sargeant
Cover of the book Designing Case Studies by Amy Sargeant
Cover of the book The Voluntary Sector in Prisons by Amy Sargeant
Cover of the book Gender and Sexuality in Male-Dominated Occupations by Amy Sargeant
Cover of the book Transnational Transfers and Global Development by Amy Sargeant
Cover of the book Minority Language Promotion, Protection and Regulation by Amy Sargeant
Cover of the book Place, Writing, and Voice in Oral History by Amy Sargeant
Cover of the book History and Psyche by Amy Sargeant
Cover of the book Towards an Integrated Paradigm in Heterodox Economics by Amy Sargeant
Cover of the book Women of The Street by Amy Sargeant
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy