Self-Portrait in Black and White: Unlearning Race

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Ethnic Studies, Biography & Memoir
Cover of the book Self-Portrait in Black and White: Unlearning Race by Thomas Chatterton Williams, W. W. Norton & Company
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Author: Thomas Chatterton Williams ISBN: 9780393608878
Publisher: W. W. Norton & Company Publication: October 15, 2019
Imprint: W. W. Norton & Company Language: English
Author: Thomas Chatterton Williams
ISBN: 9780393608878
Publisher: W. W. Norton & Company
Publication: October 15, 2019
Imprint: W. W. Norton & Company
Language: English

A meditation on race and identity from one of our most provocative cultural critics.

A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family’s multigenerational transformation from what is called black to what is assumed to be white. Thomas Chatterton Williams, the son of a “black” father from the segregated South and a “white” mother from the West, spent his whole life believing the dictum that a single drop of “black blood” makes a person black. This was so fundamental to his self-conception that he’d never rigorously reflected on its foundations—but the shock of his experience as the black father of two extremely white-looking children led him to question these long-held convictions.

It is not that he has come to believe that he is no longer black or that his daughter is white, Williams notes. It is that these categories cannot adequately capture either of them—or anyone else, for that matter. Beautifully written and bound to upset received opinions on race, Self-Portrait in Black and White is an urgent work for our time.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A meditation on race and identity from one of our most provocative cultural critics.

A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family’s multigenerational transformation from what is called black to what is assumed to be white. Thomas Chatterton Williams, the son of a “black” father from the segregated South and a “white” mother from the West, spent his whole life believing the dictum that a single drop of “black blood” makes a person black. This was so fundamental to his self-conception that he’d never rigorously reflected on its foundations—but the shock of his experience as the black father of two extremely white-looking children led him to question these long-held convictions.

It is not that he has come to believe that he is no longer black or that his daughter is white, Williams notes. It is that these categories cannot adequately capture either of them—or anyone else, for that matter. Beautifully written and bound to upset received opinions on race, Self-Portrait in Black and White is an urgent work for our time.

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