Shakespeare and Feminist Performance

Ideology on Stage

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Shakespeare and Feminist Performance by Sarah Werner, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sarah Werner ISBN: 9781134588039
Publisher: Taylor and Francis Publication: July 8, 2005
Imprint: Routledge Language: English
Author: Sarah Werner
ISBN: 9781134588039
Publisher: Taylor and Francis
Publication: July 8, 2005
Imprint: Routledge
Language: English

How do performances of Shakespeare change the meanings of the plays?
In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest.
Werner concentrates particularly on:
The influential training methods of Cicely Berry and Patsy Rodenburg
The history of the RSC Women's Group
Gale Edwards' production of The Taming of the Shrew
She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions.
By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

How do performances of Shakespeare change the meanings of the plays?
In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest.
Werner concentrates particularly on:
The influential training methods of Cicely Berry and Patsy Rodenburg
The history of the RSC Women's Group
Gale Edwards' production of The Taming of the Shrew
She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions.
By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.

More books from Taylor and Francis

Cover of the book Key Concepts for Understanding Curriculum by Sarah Werner
Cover of the book Social Work and Migration by Sarah Werner
Cover of the book Consumption in the Age of Affluence by Sarah Werner
Cover of the book Broken Bodies, Healing Hearts by Sarah Werner
Cover of the book Divorce Mediation by Sarah Werner
Cover of the book The Thiri Rama by Sarah Werner
Cover of the book Understanding the School Curriculum by Sarah Werner
Cover of the book Confessions of the Nun of St Omer by Sarah Werner
Cover of the book Participation, Facilitation, and Mediation by Sarah Werner
Cover of the book Technology, Ethics and the Protocols of Modern War by Sarah Werner
Cover of the book Critical Economic Methodology by Sarah Werner
Cover of the book Journeys of Remembrance by Sarah Werner
Cover of the book Whitman's Ecstatic Union by Sarah Werner
Cover of the book An Outline of Piaget's Developmental Psychology by Sarah Werner
Cover of the book HIV/AIDS Community Information Services by Sarah Werner
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy