Shakespeare Only

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Shakespeare Only by Jeffrey Knapp, University of Chicago Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jeffrey Knapp ISBN: 9780226445731
Publisher: University of Chicago Press Publication: October 15, 2009
Imprint: University of Chicago Press Language: English
Author: Jeffrey Knapp
ISBN: 9780226445731
Publisher: University of Chicago Press
Publication: October 15, 2009
Imprint: University of Chicago Press
Language: English

Three decades of controversy in Shakespeare studies can be summed up in a single question: Was Shakespeare one of a kind? On one side of the debate are the Shakespeare lovers, the bardolatrists, who insist on Shakespeare’s timeless preeminence as an author. On the other side are the theater historians who view modern claims of Shakespeare’s uniqueness as a distortion of his real professional life. 

 

In Shakespeare Only, Knapp draws on an extraordinary array of historical evidence to reconstruct Shakespeare’s authorial identity as Shakespeare and his contemporaries actually understood it.  He argues that Shakespeare tried to adapt his own singular talent and ambition to the collaborative enterprise of drama by imagining himself as uniquely embodying the diverse, fractious energies of the popular theater. Rewriting our current histories of authorship as well as Renaissance drama, Shakespeare Only recaptures a sense of the creative force that mass entertainment exerted on Shakespeare and that Shakespeare exerted on mass entertainment.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Three decades of controversy in Shakespeare studies can be summed up in a single question: Was Shakespeare one of a kind? On one side of the debate are the Shakespeare lovers, the bardolatrists, who insist on Shakespeare’s timeless preeminence as an author. On the other side are the theater historians who view modern claims of Shakespeare’s uniqueness as a distortion of his real professional life. 

 

In Shakespeare Only, Knapp draws on an extraordinary array of historical evidence to reconstruct Shakespeare’s authorial identity as Shakespeare and his contemporaries actually understood it.  He argues that Shakespeare tried to adapt his own singular talent and ambition to the collaborative enterprise of drama by imagining himself as uniquely embodying the diverse, fractious energies of the popular theater. Rewriting our current histories of authorship as well as Renaissance drama, Shakespeare Only recaptures a sense of the creative force that mass entertainment exerted on Shakespeare and that Shakespeare exerted on mass entertainment.

More books from University of Chicago Press

Cover of the book Best Laid Plans by Jeffrey Knapp
Cover of the book The Blackbird by Jeffrey Knapp
Cover of the book Nobody Runs Forever by Jeffrey Knapp
Cover of the book Muslims Talking Politics by Jeffrey Knapp
Cover of the book Education, Justice, and Democracy by Jeffrey Knapp
Cover of the book The Comparative Method of Language Acquisition Research by Jeffrey Knapp
Cover of the book The Tunnel of Love by Jeffrey Knapp
Cover of the book A Story Larger than My Own by Jeffrey Knapp
Cover of the book Poverty and the Quest for Life by Jeffrey Knapp
Cover of the book The Beast and the Sovereign, Volume II by Jeffrey Knapp
Cover of the book To Care for Creation by Jeffrey Knapp
Cover of the book Poetic Relations by Jeffrey Knapp
Cover of the book Orchid by Jeffrey Knapp
Cover of the book The Deepest Human Life by Jeffrey Knapp
Cover of the book Materials and Expertise in Early Modern Europe by Jeffrey Knapp
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy