Shakespearean Stage Production

Then and Now

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Entertainment, Performing Arts
Cover of the book Shakespearean Stage Production by Cécile de Banke, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Cécile de Banke ISBN: 9781317652793
Publisher: Taylor and Francis Publication: August 13, 2014
Imprint: Routledge Language: English
Author: Cécile de Banke
ISBN: 9781317652793
Publisher: Taylor and Francis
Publication: August 13, 2014
Imprint: Routledge
Language: English

An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published.

This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous Globe. Since the Globe saw the enactment of some of the Bard’s greatest dramas, its construction, properties, stage devices, and sound effects are reviewed in detail with suggestions on how a producer can create the same effects on a modern or reconstructed Elizabethan stage.

Shakespeare’s plays were written to fit particular groups of actors. The book gives descriptions of the men who formed the acting companies of Elizabethan London and of the actors of Shakespeare’s own company, giving insights into the training and acting that Shakespeare advocated. With full descriptions and pages of reproductions, the costume section shows the types of dress necessary for each play, along with accessories and trimmings. A table of Elizabethan fabrics and colours is included. The final section explores the little-known and interesting story of the integral part of music and dance in Shakespeare’s works. Scene by scene the section discusses appropriate music or song for each play and supplies substitute ideas for Elizabethan instruments. Various dances are described – among them the pavan, gailliard, canary and courante.

This book is an invaluable wealth of research, with extensive bibliographies and extra information.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published.

This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous Globe. Since the Globe saw the enactment of some of the Bard’s greatest dramas, its construction, properties, stage devices, and sound effects are reviewed in detail with suggestions on how a producer can create the same effects on a modern or reconstructed Elizabethan stage.

Shakespeare’s plays were written to fit particular groups of actors. The book gives descriptions of the men who formed the acting companies of Elizabethan London and of the actors of Shakespeare’s own company, giving insights into the training and acting that Shakespeare advocated. With full descriptions and pages of reproductions, the costume section shows the types of dress necessary for each play, along with accessories and trimmings. A table of Elizabethan fabrics and colours is included. The final section explores the little-known and interesting story of the integral part of music and dance in Shakespeare’s works. Scene by scene the section discusses appropriate music or song for each play and supplies substitute ideas for Elizabethan instruments. Various dances are described – among them the pavan, gailliard, canary and courante.

This book is an invaluable wealth of research, with extensive bibliographies and extra information.

More books from Taylor and Francis

Cover of the book Records of Girlhood by Cécile de Banke
Cover of the book Approaches to Economic Geography by Cécile de Banke
Cover of the book British Social Work in the Nineteenth Century by Cécile de Banke
Cover of the book Rural Sociologists at Work by Cécile de Banke
Cover of the book Bills of Lading and Bankers' Documentary Credits by Cécile de Banke
Cover of the book Christian Privilege in U.S. Education by Cécile de Banke
Cover of the book Constructing Coherence in the British Short Story Cycle by Cécile de Banke
Cover of the book No Outsiders in Our School by Cécile de Banke
Cover of the book Passions and Subjectivity in Early Modern Culture by Cécile de Banke
Cover of the book Preventing Corruption in Asia by Cécile de Banke
Cover of the book Connections by Cécile de Banke
Cover of the book Theology as an Empirical Science by Cécile de Banke
Cover of the book Made in Japan by Cécile de Banke
Cover of the book The Story of Analytic Philosophy by Cécile de Banke
Cover of the book Interpretation in Couple and Family Psychoanalysis by Cécile de Banke
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy