Shakespeare’s Asian Journeys

Critical Encounters, Cultural Geographies, and the Politics of Travel

Fiction & Literature, Literary Theory & Criticism, Asian, British
Cover of the book Shakespeare’s Asian Journeys by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781315442945
Publisher: Taylor and Francis Publication: December 8, 2016
Imprint: Routledge Language: English
Author:
ISBN: 9781315442945
Publisher: Taylor and Francis
Publication: December 8, 2016
Imprint: Routledge
Language: English

This volume gives Asia’s Shakespeares the critical, theoretical, and political space they demand, offering rich, alternative ways of thinking about Asia, Shakespeare, and Asian Shakespeare based on Asian experiences and histories. Challenging and supplementing the dominant critical and theoretical structures that determine Shakespeare studies today, close analysis of Shakespeare’s Asian journeys, critical encounters, cultural geographies, and the political complexions of these negotiations reveal perspectives different to the European. Exploring what Shakespeare has done to Asia along with what Asia has done with Shakespeare, this book demonstrates how Shakespeare helps articulate Asianess, unfolding Asia’s past, reflecting Asia’s present, and projecting Asia’s future. This is achieved by forgoing the myth of the Bard’s universality, bypassing the authenticity test, avoiding merely descriptive or even ethnographic accounts, and using caution when applying Western theoretical frameworks. Many of the productions studied in this volume are brought to critical attention for the first time, offering new methodologies and approaches across disciplines including history, philosophy, sociology, geopolitics, religion, postcolonial studies, psychology, translation theory, film studies, and others. The volume explores a range of examples, from exquisite productions infused with ancient aesthetic traditions to popular teen manga and television drama, from state-dictated appropriations to radical political commentaries in areas including Japan, India, Taiwan, Korea, Indonesia, China, and the Philippines. This book goes beyond a showcasing of Asian adaptations in various languages, styles, and theatre traditions, and beyond introductory essays intended to help an unknowing audience appreciate Asian performances, developing a more inflected interpretative dialogue with other areas of Shakespeare studies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This volume gives Asia’s Shakespeares the critical, theoretical, and political space they demand, offering rich, alternative ways of thinking about Asia, Shakespeare, and Asian Shakespeare based on Asian experiences and histories. Challenging and supplementing the dominant critical and theoretical structures that determine Shakespeare studies today, close analysis of Shakespeare’s Asian journeys, critical encounters, cultural geographies, and the political complexions of these negotiations reveal perspectives different to the European. Exploring what Shakespeare has done to Asia along with what Asia has done with Shakespeare, this book demonstrates how Shakespeare helps articulate Asianess, unfolding Asia’s past, reflecting Asia’s present, and projecting Asia’s future. This is achieved by forgoing the myth of the Bard’s universality, bypassing the authenticity test, avoiding merely descriptive or even ethnographic accounts, and using caution when applying Western theoretical frameworks. Many of the productions studied in this volume are brought to critical attention for the first time, offering new methodologies and approaches across disciplines including history, philosophy, sociology, geopolitics, religion, postcolonial studies, psychology, translation theory, film studies, and others. The volume explores a range of examples, from exquisite productions infused with ancient aesthetic traditions to popular teen manga and television drama, from state-dictated appropriations to radical political commentaries in areas including Japan, India, Taiwan, Korea, Indonesia, China, and the Philippines. This book goes beyond a showcasing of Asian adaptations in various languages, styles, and theatre traditions, and beyond introductory essays intended to help an unknowing audience appreciate Asian performances, developing a more inflected interpretative dialogue with other areas of Shakespeare studies.

More books from Taylor and Francis

Cover of the book Exporting the American Gospel by
Cover of the book The Qur'an by
Cover of the book Theories of Imperialism (Routledge Revivals) by
Cover of the book Prison Governors by
Cover of the book Routledge International Handbook of Qualitative Nursing Research by
Cover of the book The Human Body in Early Iron Age Central Europe by
Cover of the book Religion Italian Style by
Cover of the book Shakespeare, Jonson, and the Claims of the Performative by
Cover of the book Active Learning in Secondary and College Science Classrooms by
Cover of the book Transgender Psychoanalysis by
Cover of the book Adams The Pilot by
Cover of the book The Internal and External Worlds of Children and Adolescents by
Cover of the book The Routledge Handbook of the Philosophy of Paternalism by
Cover of the book Sustainable Marketing of Cultural and Heritage Tourism by
Cover of the book The Illegal City by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy