Sir Henry Neville, Alias William Shakespeare

Authorship Evidence in the History Plays

Biography & Memoir, Literary, Fiction & Literature, Literary Theory & Criticism
Cover of the book Sir Henry Neville, Alias William Shakespeare by Mark Bradbeer, John Casson, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mark Bradbeer, John Casson ISBN: 9781476618371
Publisher: McFarland & Company, Inc., Publishers Publication: January 28, 2015
Imprint: Language: English
Author: Mark Bradbeer, John Casson
ISBN: 9781476618371
Publisher: McFarland & Company, Inc., Publishers
Publication: January 28, 2015
Imprint:
Language: English

Shakspere’s history plays are more than dramatized history lessons. They explore contemporary dangers inherent in royal succession at a time when Elizabeth I decreed that mere discussion of who would inherit the throne was treason. The plays were political and therefore dangerous. Yet William Shakspere from Stratford-upon-Avon was never arrested for his writing nor spent time in prison, unlike his fellow playwrights Marlowe, Kyd and Jonson. In 1601 Sir Henry Neville was imprisoned and “Shakespeare” stopped writing history plays. The identification of Neville as an authorship candidate, put forward by James and Rubinstein (2005), urges reinterpretation of the plays. Neville enjoyed privileged access to the Holinshed Chronicles (1587), a primary source for the plays. He was ambassador to France and spoke French (see Henry V), knew the descendants of Jack Cade (Henry VI Part 2), was familiar with Crosby Place (Richard III) and lived in Blackfriars (Henry VIII). This book reveals new evidence of Neville’s authorship, with examples of annotation found in books from Neville’s library suggesting they were source material for the plays. Numerous anomalies in the plays indicate Shakespeare’s consistent bias in portraying the Nevilles in a positive light, revealing the hidden author’s political viewpoint and true identity.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Shakspere’s history plays are more than dramatized history lessons. They explore contemporary dangers inherent in royal succession at a time when Elizabeth I decreed that mere discussion of who would inherit the throne was treason. The plays were political and therefore dangerous. Yet William Shakspere from Stratford-upon-Avon was never arrested for his writing nor spent time in prison, unlike his fellow playwrights Marlowe, Kyd and Jonson. In 1601 Sir Henry Neville was imprisoned and “Shakespeare” stopped writing history plays. The identification of Neville as an authorship candidate, put forward by James and Rubinstein (2005), urges reinterpretation of the plays. Neville enjoyed privileged access to the Holinshed Chronicles (1587), a primary source for the plays. He was ambassador to France and spoke French (see Henry V), knew the descendants of Jack Cade (Henry VI Part 2), was familiar with Crosby Place (Richard III) and lived in Blackfriars (Henry VIII). This book reveals new evidence of Neville’s authorship, with examples of annotation found in books from Neville’s library suggesting they were source material for the plays. Numerous anomalies in the plays indicate Shakespeare’s consistent bias in portraying the Nevilles in a positive light, revealing the hidden author’s political viewpoint and true identity.

More books from McFarland & Company, Inc., Publishers

Cover of the book The Ghosts of Thua Thien by Mark Bradbeer, John Casson
Cover of the book Universal Horrors by Mark Bradbeer, John Casson
Cover of the book The Lost Colony of Roanoke by Mark Bradbeer, John Casson
Cover of the book The Executioner's Toll, 2010 by Mark Bradbeer, John Casson
Cover of the book Advances in Graves' Disease and Other Hyperthyroid Disorders by Mark Bradbeer, John Casson
Cover of the book Millard Fillmore by Mark Bradbeer, John Casson
Cover of the book Classic Horror Films and the Literature That Inspired Them by Mark Bradbeer, John Casson
Cover of the book African American and Cherokee Nurses in Appalachia by Mark Bradbeer, John Casson
Cover of the book The Father of Virginia Military Institute by Mark Bradbeer, John Casson
Cover of the book An Invitation to the Opera, Revised Edition by Mark Bradbeer, John Casson
Cover of the book How the Movies Saved Christmas by Mark Bradbeer, John Casson
Cover of the book Making the Cut by Mark Bradbeer, John Casson
Cover of the book Klaus Kinski, Beast of Cinema by Mark Bradbeer, John Casson
Cover of the book The Bulloch Belles by Mark Bradbeer, John Casson
Cover of the book The All-American Girls After the AAGPBL by Mark Bradbeer, John Casson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy