Six Canonical Projects by Rem Koolhaas

Essays on the History of Ideas

Nonfiction, Reference & Language, Language Arts, Literacy
Cover of the book Six Canonical Projects by Rem Koolhaas by Ingrid Böck, Jovis Berlin
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Author: Ingrid Böck ISBN: 9783868598926
Publisher: Jovis Berlin Publication: July 30, 2015
Imprint: Jovis Berlin Language: English
Author: Ingrid Böck
ISBN: 9783868598926
Publisher: Jovis Berlin
Publication: July 30, 2015
Imprint: Jovis Berlin
Language: English

Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Architecture Prize for the year 2000. This book, which builds on six canonical Koolhaas projects, traces the discursive practice behind the design methods used by Koolhaas and his office OMA. It uncovers recurring key themes—such as wall, void, montage, trajectory, infrastructure, and shape—that have structured this design discourse over the span of Koolhaas's oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles manifest in other works by Koolhaas as both practical re-applications and further elaborations.
In addition to Koolhaas's individual genius, these textual and material layers are accounted for shaping the very context of his work's relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which Koolhaas has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas.
Published with the generous support of the Austrian Science Fund (FWF).

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Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Architecture Prize for the year 2000. This book, which builds on six canonical Koolhaas projects, traces the discursive practice behind the design methods used by Koolhaas and his office OMA. It uncovers recurring key themes—such as wall, void, montage, trajectory, infrastructure, and shape—that have structured this design discourse over the span of Koolhaas's oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles manifest in other works by Koolhaas as both practical re-applications and further elaborations.
In addition to Koolhaas's individual genius, these textual and material layers are accounted for shaping the very context of his work's relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which Koolhaas has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas.
Published with the generous support of the Austrian Science Fund (FWF).

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