Small Cinemas in Global Markets

Genres, Identities, Narratives

Nonfiction, Reference & Language, Language Arts, Communication, Entertainment, Film, History & Criticism, Social & Cultural Studies, Social Science
Cover of the book Small Cinemas in Global Markets by David Desser, Lydia Papadimitriou, Nikica Gilić, Tito Imanda, Marian Ţuţui, Catherine Douillet, Steven Wingate, Andrés Laguna Tapia, José Cláudio Siqueira Castanheira, Milica Slavkovic, Renata Šukaitytė, Janina Falkowska, Dina Iordanova, Lenuta Giukin, Catalina Florina Florescu, Lexington Books
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Author: David Desser, Lydia Papadimitriou, Nikica Gilić, Tito Imanda, Marian Ţuţui, Catherine Douillet, Steven Wingate, Andrés Laguna Tapia, José Cláudio Siqueira Castanheira, Milica Slavkovic, Renata Šukaitytė, Janina Falkowska, Dina Iordanova, Lenuta Giukin, Catalina Florina Florescu ISBN: 9780739196533
Publisher: Lexington Books Publication: December 18, 2014
Imprint: Lexington Books Language: English
Author: David Desser, Lydia Papadimitriou, Nikica Gilić, Tito Imanda, Marian Ţuţui, Catherine Douillet, Steven Wingate, Andrés Laguna Tapia, José Cláudio Siqueira Castanheira, Milica Slavkovic, Renata Šukaitytė, Janina Falkowska, Dina Iordanova, Lenuta Giukin, Catalina Florina Florescu
ISBN: 9780739196533
Publisher: Lexington Books
Publication: December 18, 2014
Imprint: Lexington Books
Language: English

Small Cinemas in Global Markets addresses aspects such as identity, revisiting the past, internationalized genres, new forms of experimental cinema, markets and production, as well as technological developments of alternative small screens that open new perspectives into small cinema possibilities. Small and big markets for small industries reveal an unimagined diversification of the cultural product and consequently the need to analyze the impact at local, regional, and global levels. Much needed to continue and expand the existing scholarship in the field, this volume is based on research by authors who approach their subject from Western theoretical perspectives with a professional (mostly native) knowledge of the language, cultural realities, and film industry practices. It covers aspects from fifteen different countries, including Bolivia, Brazil, China (Hong Kong), Croatia, East Africa (Kenya, Tanzania, and Uganda), Greece, Indonesia, Lithuania, Bulgaria, Poland, Romania, Morocco, and the United States. Since both film and documentary distribution from certain areas of the globe on international markets remains problematic, it is important for the academic field to discuss and circulate them as much as possible, and to create the basis for further exploration. Documenting and reflecting on the role, state, and reception of the film industry provides scholarly understanding to the industry’s wide range of seemingly chaotic technological transformations.

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Small Cinemas in Global Markets addresses aspects such as identity, revisiting the past, internationalized genres, new forms of experimental cinema, markets and production, as well as technological developments of alternative small screens that open new perspectives into small cinema possibilities. Small and big markets for small industries reveal an unimagined diversification of the cultural product and consequently the need to analyze the impact at local, regional, and global levels. Much needed to continue and expand the existing scholarship in the field, this volume is based on research by authors who approach their subject from Western theoretical perspectives with a professional (mostly native) knowledge of the language, cultural realities, and film industry practices. It covers aspects from fifteen different countries, including Bolivia, Brazil, China (Hong Kong), Croatia, East Africa (Kenya, Tanzania, and Uganda), Greece, Indonesia, Lithuania, Bulgaria, Poland, Romania, Morocco, and the United States. Since both film and documentary distribution from certain areas of the globe on international markets remains problematic, it is important for the academic field to discuss and circulate them as much as possible, and to create the basis for further exploration. Documenting and reflecting on the role, state, and reception of the film industry provides scholarly understanding to the industry’s wide range of seemingly chaotic technological transformations.

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