So Glad I'm Me

Fiction & Literature, Poetry, British & Irish
Cover of the book So Glad I'm Me by Roddy Lumsden, Bloodaxe Books
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Author: Roddy Lumsden ISBN: 9781780373713
Publisher: Bloodaxe Books Publication: September 28, 2017
Imprint: Bloodaxe Books Language: English
Author: Roddy Lumsden
ISBN: 9781780373713
Publisher: Bloodaxe Books
Publication: September 28, 2017
Imprint: Bloodaxe Books
Language: English

In his tenth collection, Roddy Lumsden returns to some familiar themes in his work: the trials of oneness versus twoness, the seduction of small calamities, and vice versa. And the everyday mysteries, of running water, salt and sugar, roller-skates and back-up flats. So Glad I'm Me also contains many 'conflation poems' where Lumsden has knocked the square peg of one subject through the round hole of another, often music-related. There are poems here about many songs and musicians, ranging from cult artists like Alex Chilton and Robin Holcomb to big names like Elvis and Morrissey. As ever, he relishes unusual words (nestlecock, twofer, farnesol) and interesting, taut forms, alongside a new strand of mid-length, discursive pieces in the spirit of Chicagoan poets Albert Goldbarth and Marianne Boruch. Lighter and less inward looking than in other recent collections, So Glad I'm Me is Lumsden's most optimistic and accessible book since The Book of Love.

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In his tenth collection, Roddy Lumsden returns to some familiar themes in his work: the trials of oneness versus twoness, the seduction of small calamities, and vice versa. And the everyday mysteries, of running water, salt and sugar, roller-skates and back-up flats. So Glad I'm Me also contains many 'conflation poems' where Lumsden has knocked the square peg of one subject through the round hole of another, often music-related. There are poems here about many songs and musicians, ranging from cult artists like Alex Chilton and Robin Holcomb to big names like Elvis and Morrissey. As ever, he relishes unusual words (nestlecock, twofer, farnesol) and interesting, taut forms, alongside a new strand of mid-length, discursive pieces in the spirit of Chicagoan poets Albert Goldbarth and Marianne Boruch. Lighter and less inward looking than in other recent collections, So Glad I'm Me is Lumsden's most optimistic and accessible book since The Book of Love.

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