Sonic Virtuality

Sound as Emergent Perception

Nonfiction, Entertainment, Music, Theory & Criticism, Appreciation, Reference, Instruments & Instruction, Instruction & Study
Cover of the book Sonic Virtuality by Mark Grimshaw, Tom Garner, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mark Grimshaw, Tom Garner ISBN: 9780190273200
Publisher: Oxford University Press Publication: July 1, 2015
Imprint: Oxford University Press Language: English
Author: Mark Grimshaw, Tom Garner
ISBN: 9780190273200
Publisher: Oxford University Press
Publication: July 1, 2015
Imprint: Oxford University Press
Language: English

In Sonic Virtuality: Sound as Emergent Perception, authors Mark Grimshaw and Tom Garner introduce a novel theory that positions sound within a framework of virtuality. Arguing against the acoustic or standard definition of sound as a sound wave, the book builds a case for a sonic aggregate as the virtual cloud of potentials created by perceived sound. The authors build on their recent work investigating the nature and perception of sound as used in computer games and virtual environments, and put forward a unique argument that sound is a fundamentally virtual phenomenon. Grimshaw and Garner propose a new, fuller and more complete, definition of sound based on a perceptual view of sound that accounts more fully for cognition, emotion, and the wider environment. The missing facet is the virtuality: the idea that all sound arises from a sonic aggregate made up of actual and virtual sonic phenomena. The latter is a potential that depends upon human cognition and emotion for its realization as sound. This thesis is explored through a number of philosophical, cognitive, and psychological concepts including: issues of space, self, sonosemantics, the uncanny, hyper-realism, affect, Gettier problems, belief, alief, imagination, and sound perception in the absence of sound sensation. Provocative and original, Grimshaw and Garner's ideas have broader implications for our relationship to technology, our increasingly digital lives, and the nature of our being within our supposed realities. Students and academics from philosophy to acoustics and across the broad spectrum of digital humanities will find this accessible book full of challenging concepts and provocative ideas.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Sonic Virtuality: Sound as Emergent Perception, authors Mark Grimshaw and Tom Garner introduce a novel theory that positions sound within a framework of virtuality. Arguing against the acoustic or standard definition of sound as a sound wave, the book builds a case for a sonic aggregate as the virtual cloud of potentials created by perceived sound. The authors build on their recent work investigating the nature and perception of sound as used in computer games and virtual environments, and put forward a unique argument that sound is a fundamentally virtual phenomenon. Grimshaw and Garner propose a new, fuller and more complete, definition of sound based on a perceptual view of sound that accounts more fully for cognition, emotion, and the wider environment. The missing facet is the virtuality: the idea that all sound arises from a sonic aggregate made up of actual and virtual sonic phenomena. The latter is a potential that depends upon human cognition and emotion for its realization as sound. This thesis is explored through a number of philosophical, cognitive, and psychological concepts including: issues of space, self, sonosemantics, the uncanny, hyper-realism, affect, Gettier problems, belief, alief, imagination, and sound perception in the absence of sound sensation. Provocative and original, Grimshaw and Garner's ideas have broader implications for our relationship to technology, our increasingly digital lives, and the nature of our being within our supposed realities. Students and academics from philosophy to acoustics and across the broad spectrum of digital humanities will find this accessible book full of challenging concepts and provocative ideas.

More books from Oxford University Press

Cover of the book Articulate While Black by Mark Grimshaw, Tom Garner
Cover of the book Cultural Constructions of Identity by Mark Grimshaw, Tom Garner
Cover of the book Philosophical Papers by Mark Grimshaw, Tom Garner
Cover of the book The Circassian by Mark Grimshaw, Tom Garner
Cover of the book An Archaeological History of Indian Buddhism by Mark Grimshaw, Tom Garner
Cover of the book Trial and Error by Mark Grimshaw, Tom Garner
Cover of the book Al-Ghazali's Philosophical Theology by Mark Grimshaw, Tom Garner
Cover of the book A Guide to Assessments That Work by Mark Grimshaw, Tom Garner
Cover of the book Hermeneutics of Holiness by Mark Grimshaw, Tom Garner
Cover of the book Borderlands: Oxford Bibliographies Online Research Guide by Mark Grimshaw, Tom Garner
Cover of the book William Faulkner by Mark Grimshaw, Tom Garner
Cover of the book The Institutions of American Democracy by Mark Grimshaw, Tom Garner
Cover of the book The Great Depression And The New Deal: A Very Short Introduction by Mark Grimshaw, Tom Garner
Cover of the book Election Watchdogs by Mark Grimshaw, Tom Garner
Cover of the book Cajun Breakdown by Mark Grimshaw, Tom Garner
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy