Spanish New York Narratives 1898-1936

Modernization, Otherness and Nation

Nonfiction, Reference & Language, Foreign Languages, Language Arts
Cover of the book Spanish New York Narratives 1898-1936 by David Miranda-Barreiro, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: David Miranda-Barreiro ISBN: 9781351548106
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: David Miranda-Barreiro
ISBN: 9781351548106
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

In the early decades of the twentieth century, New York caught the attention of Spanish writers. Many of them visited the city and returned to tell their experience in the form of a literary text. That is the case of Pruebas de Nueva York (1927) by Jose Moreno Villa (1887-1955), El crisol de las razas (1929) by Teresa de Escoriaza (1891-1968), Anticipolis (1931) by Luis de Oteyza (1883-1961) and La ciudad automatica (1932) by Julio Camba (1882-1962). In tune with similar representations in other European works, the image of New York given in these texts reflects the tensions and anxieties generated by the modernisation embodied by the United States. These authors project onto New York their concerns and expectations about issues of class, gender and ethnicity that were debated at the time, in the context of the crisis of Spanish national identity triggered by the end of the empire in 1898.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In the early decades of the twentieth century, New York caught the attention of Spanish writers. Many of them visited the city and returned to tell their experience in the form of a literary text. That is the case of Pruebas de Nueva York (1927) by Jose Moreno Villa (1887-1955), El crisol de las razas (1929) by Teresa de Escoriaza (1891-1968), Anticipolis (1931) by Luis de Oteyza (1883-1961) and La ciudad automatica (1932) by Julio Camba (1882-1962). In tune with similar representations in other European works, the image of New York given in these texts reflects the tensions and anxieties generated by the modernisation embodied by the United States. These authors project onto New York their concerns and expectations about issues of class, gender and ethnicity that were debated at the time, in the context of the crisis of Spanish national identity triggered by the end of the empire in 1898.

More books from Taylor and Francis

Cover of the book Seneca (Routledge Revivals) by David Miranda-Barreiro
Cover of the book Economies in Transition by David Miranda-Barreiro
Cover of the book The Routledge Handbook of Language and Politics by David Miranda-Barreiro
Cover of the book Austria, 1945-1995 by David Miranda-Barreiro
Cover of the book Challenging Medicine by David Miranda-Barreiro
Cover of the book The Revelation of Nature by David Miranda-Barreiro
Cover of the book Teachers Who Teach Teachers by David Miranda-Barreiro
Cover of the book Wind Energy - The Facts by David Miranda-Barreiro
Cover of the book Powerful Pedagogy by David Miranda-Barreiro
Cover of the book On Dialogue by David Miranda-Barreiro
Cover of the book The Assessment of Special Educational Needs by David Miranda-Barreiro
Cover of the book The Routledge Student Guide to English Usage by David Miranda-Barreiro
Cover of the book Athens in Decline (Routledge Revivals) by David Miranda-Barreiro
Cover of the book Gilgamesh by David Miranda-Barreiro
Cover of the book Union Resilience in Troubled Times: The Story of the Operating Engineers, AFL-CIO, 1960-93 by David Miranda-Barreiro
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy