Stranger Than Paradise

Nonfiction, Entertainment, Film, Direction & Production, History & Criticism, Performing Arts
Cover of the book Stranger Than Paradise by Jamie Sexton, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jamie Sexton ISBN: 9780231851022
Publisher: Columbia University Press Publication: April 24, 2018
Imprint: WallFlower Press Language: English
Author: Jamie Sexton
ISBN: 9780231851022
Publisher: Columbia University Press
Publication: April 24, 2018
Imprint: WallFlower Press
Language: English

A low-budget breakout film that wowed critics and audiences on its initial release, Stranger Than Paradise would prove to be a seminal film in the new American independent cinema movement and establish its director, Jim Jarmusch, as a hip, cult auteur. Taking inspiration from 1960s underground filmmaking, international art cinema, genre cinema, and punk culture, Jarmusch’s film provides a bridge between midnight movie features and a new mode of quirky, offbeat independent filmmaking. This book probes the film's production history, initial reception, aesthetics, and legacy in order to understand its place within the cult film canon. In examining the film's cult pedigree, it explores a number of threads that fed into the film—including New York downtown culture of the early 1980s and Jarmusch’s involvement in music—as well as reflecting on how the film's status has developed alongside Jarmusch’s subsequent output and reputation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A low-budget breakout film that wowed critics and audiences on its initial release, Stranger Than Paradise would prove to be a seminal film in the new American independent cinema movement and establish its director, Jim Jarmusch, as a hip, cult auteur. Taking inspiration from 1960s underground filmmaking, international art cinema, genre cinema, and punk culture, Jarmusch’s film provides a bridge between midnight movie features and a new mode of quirky, offbeat independent filmmaking. This book probes the film's production history, initial reception, aesthetics, and legacy in order to understand its place within the cult film canon. In examining the film's cult pedigree, it explores a number of threads that fed into the film—including New York downtown culture of the early 1980s and Jarmusch’s involvement in music—as well as reflecting on how the film's status has developed alongside Jarmusch’s subsequent output and reputation.

More books from Columbia University Press

Cover of the book Appetite for Innovation by Jamie Sexton
Cover of the book The Economics of Air Pollution in China by Jamie Sexton
Cover of the book Bollywood by Jamie Sexton
Cover of the book Enforcing the Peace by Jamie Sexton
Cover of the book Anxieties of Empire and the Fiction of Intrigue by Jamie Sexton
Cover of the book All the Nations Under Heaven by Jamie Sexton
Cover of the book On Becoming a Rock Musician by Jamie Sexton
Cover of the book Modernist Commitments by Jamie Sexton
Cover of the book Must We Divide History Into Periods? by Jamie Sexton
Cover of the book Creamy and Crunchy by Jamie Sexton
Cover of the book Counterinsurgency in Crisis by Jamie Sexton
Cover of the book Animal Oppression and Human Violence by Jamie Sexton
Cover of the book Culture of the Fork by Jamie Sexton
Cover of the book The Art of War by Jamie Sexton
Cover of the book Calypso Jews by Jamie Sexton
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy