Study of Point of View

Spatial and Temporal Form

Nonfiction, Reference & Language, Language Arts, Linguistics
Cover of the book Study of Point of View by Boris A. Uspensky, Guaraldi
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Boris A. Uspensky ISBN: 9788869270468
Publisher: Guaraldi Publication: September 3, 2014
Imprint: Guaraldi Language: English
Author: Boris A. Uspensky
ISBN: 9788869270468
Publisher: Guaraldi
Publication: September 3, 2014
Imprint: Guaraldi
Language: English

The semiotic theory of the narrative point of view and of the visual representation perspective. A chapter from "Poetics of Composition" (1973) by the Russian semiologist, co-author of J. Lotman. Also recalled by P. Ricoeur in "Tempo e racconto", it is very important in the study of iconism: for the composition of different points of view and for the debate upon time and narration. La teoria semiotica del punto di vista narrativo e della prospettiva nella raffigurazione visiva. Un capitolo della “Poetics of Composition” (1973) del semiologo russo, coautore di J. Lotman. Ripresa da P. Ricoeur in “Tempo e racconto” è importante nello studio dell’iconismo: per la composizione di differenti punti di vista e per la trattazione del tempo e dell’aspetto nella posizione narrante.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The semiotic theory of the narrative point of view and of the visual representation perspective. A chapter from "Poetics of Composition" (1973) by the Russian semiologist, co-author of J. Lotman. Also recalled by P. Ricoeur in "Tempo e racconto", it is very important in the study of iconism: for the composition of different points of view and for the debate upon time and narration. La teoria semiotica del punto di vista narrativo e della prospettiva nella raffigurazione visiva. Un capitolo della “Poetics of Composition” (1973) del semiologo russo, coautore di J. Lotman. Ripresa da P. Ricoeur in “Tempo e racconto” è importante nello studio dell’iconismo: per la composizione di differenti punti di vista e per la trattazione del tempo e dell’aspetto nella posizione narrante.

More books from Guaraldi

Cover of the book Candido by Boris A. Uspensky
Cover of the book Ripensare lo sport by Boris A. Uspensky
Cover of the book Pierre o delle Ambiguità by Boris A. Uspensky
Cover of the book La cultura come mente collettiva by Boris A. Uspensky
Cover of the book Cercando Dio a modo mio by Boris A. Uspensky
Cover of the book Teatro. Il diritto & il rovescio by Boris A. Uspensky
Cover of the book Villa Mussolini by Boris A. Uspensky
Cover of the book I racconti dell'inquietudine by Boris A. Uspensky
Cover of the book Una bibliotecaria in cucina by Boris A. Uspensky
Cover of the book Il processo by Boris A. Uspensky
Cover of the book Ma liberaci dal male... Amen! by Boris A. Uspensky
Cover of the book L'Anno by Boris A. Uspensky
Cover of the book In corpore vili by Boris A. Uspensky
Cover of the book Il libro dei miei sogni 1960 - 1964 Volume Primo by Boris A. Uspensky
Cover of the book L'educazione sentimentale by Boris A. Uspensky
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy